Poetry of The Decade - Please Hold, On Her Blindness, Ode on a Grayson Perry Urn Flashcards

(39 cards)

1
Q

Poet of Please Hold?

A

Ciaran O’Driscoll

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2
Q

PH - Structure?

A

Long stanza and an ending tercet - conclusion, order and regulation forced upon the speaker, language becomes robotic. Eventual conformity.

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3
Q

PH - ‘The robot is giving me countless options, // none of which answer to my needs.’

A

Robot is an extended metaphor for modern life, presents an illusion of choice but a reality of coercion.

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4
Q

PH - ‘when I give him my telephone number’ ‘when I give him my account number’

A

Passive verbs show his lack of control, parallel phrasing shows the monotony of modern life, joyless and dull.

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5
Q

PH - ‘I’m talking to a robot’ ‘I shout’ ‘I scream Agent!’

A

Increasing depseration in forms of expression, growing frustration and fear.

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6
Q

PH - ‘I scream Agent! and I am cut off’

A

Futility of rebellion

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7
Q

PH - ‘Eine Kleine Natchtmusik’ x3

A

Translates to ‘A little night music’ - art that was once individual and magical has become repetitive and meaningless, modernity is destructive and reductionist.

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8
Q

PH - ‘giving me no options under the guise of countless alternatives’

A

structural parallel of realisation, exposes the reality of restriction that modern life presents.

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9
Q

PH - ‘robot transfers me to himself’

A

modern life presenst an inescapable cycle, any route has the same result.

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10
Q

PH - ‘my translator says, // This means your call is not important to them’

A

inner voice has a realisation of the reality he is in, devalued by technology.

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11
Q

PH - ‘only way you can now meet your needs is by looting’

A

nonconformity becomes criminality, social outcast or conform.

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12
Q

PH - ‘Please Hold. Please grow old. Please grow cold.’

A

Caesura, monosyllabism, internal rhyme - inner voice becomes robotic to fit a robotic world.

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13
Q

PH - ‘cold.’ ‘cold.’ ‘hold.’ (RHYME OF FINAL TERCET)

A

monotonous and detatched. CONFORMITY.

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14
Q

PH - ‘You can say Yes, No, Repeat, or Menu’

A

repetition and listing, illusion of extended choice.

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15
Q

Poet of On Her Blindness?

A

Adam Thorpe

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16
Q

OHB - Structure?

A

couplets until final, single line stanza - represents the relationship between mother and son.
free verse - honest and conversational tone.

17
Q

OHB - ‘like a Roman’

A

Simile, rejects the idea of stoicism in the face of health-related adversity. It is archaic and overly dramatic.

18
Q

OHB - ‘one shouldn’t say it. One should hide’

A

repetition - emphasises the taboo of admitting the struggle and extent of social obligations.

19
Q

OHB - ‘in a Paris restaurant, still not finding // the food on the plate’

A

sophisticated setting juxtaposes the humiliating action, blindness is a struggle and undignified.

20
Q

OHB - ‘I’d bump myself off’

A

colloquial and honest, trying to joke to cover up the bleak reality.

21
Q

OHB - ‘bumping into walls like a dodgem’

A

simile - coping mechanism of dark humour, societal need to ‘play down’ the true level of suffering.

22
Q

OHB - ‘as blank as stone’

A

simile - demonstrates the level of suffering of the mother, life is tough, cold, and bland.

23
Q

OHB - ‘visit exhibitions, admire films, sink into television // while looking the wrong way’

A

illusion, she goes through the motions of life but can’t truly live.

24
Q

OHB - ‘it was up to us to believe’

A

Not facing the truth, even in the end - conscious choice to avoid the pain of reality.

25
OHB - 'autumn trees' 'ablaze with colour' 'royal with leaf fall'
ironic and tragic, the mother can not experience life's true beauty. Autumn foreshadows death as it bring son winter.
26
OHB - 'now she can't pretend'
realises the truth, inclined towards stoicism until we are unable to ignore it.
27
Poet of Ode on a Grayson Perry Urn?
Tim Turnbull
28
OGPU - Structure?
10 line stanzas (dizain) - Focus shifts. Pastiche - an artistic work in a style that imitates that of another work, artist, or period.
29
OGPU - 'Hello! What's all this here?' 'kitschy vase // some Shirly Temple manque has knocked out'
Dismissive and derogatory, initial criticism of Perry.
30
OGPU - 'kids in cars // on crap estates' 'Burberry clad louts'
alliteration is mocking, they are failing to appear above their station, simply seem like gaudy troublemakers.
31
OGPU - 'throaty turbo roar' 'joyful throb of UK garage' 'screech of tyres and the nervous squeals'
Rowdy and vibrant UK youth, excitement.
32
OGPU - 'too young to quite appreciate // the peril they are in' 'no harm will befall these children.'
ignorance of risk, unlike real life, the vase is without consequence.
33
OGPU - 'They will stay out late // forever,'
line/stanza break and enjambment isolates 'forever', youth is immortal in the art.
34
OGPU - 'pumped on youth and ecstasy' 'speed' 'urban gyratory' 'pulsing juice'
SF of sex and drugs, liveliness, strength, and virility in youth.
35
OGPU - 'never to be deflated, given head // in crude games of chlamydia roulette'
older voice inserts a sense of danger in observation - reality of youthful rebellion is more dangerous than the vase.
36
OGPU - 'sparse grass verge' 'bleached tarmac of dead suburban streets'
bare, hostile setting contrasts the vitality of youth in its bleakness. There is nowhere left to go, colourless and sad.
37
OGPU - 'pensioners and parents telephone // the cops to plead for quiet, sue for peace'
plosive alliteration demonstrates a generational tension, the working-class are ignored.
38
OGPU - 'will future poets look on you amazed' 'lives so free and bountiful'
irony, real connections re lost in art, warped perception erodes class-divisions and dangers.
39
OGPU - 'sun a little colder'
retrospective idealism, they view the world as better in the past.