SAT cor 012 Flashcards
(115 cards)
1
Q
two major types of literature
A
PROSE and POETRY
2
Q
In terms of content, literature is either
A
FICTIONAL and NON FICTIONAL
3
Q
The collection of writings associated to the Philippines or Philippine literature are usually written in Spanish, Tagalog, English, and other
A
NATIONAL language in the Philippines
4
Q
derived from the Latin term litera which means letter
A
LITERATURE
5
Q
from the highly passionate and lyrical forms of poetry in the early 50’s, contemporary poetry manifests a killful manipulation of symbolic representations and is more insightful and abstract.
A
POETRY
6
Q
this is still the more popular venue of writers up to this period
A
SHORT STORY
7
Q
are freer and daring, manifesting a more liberated atmosphere, however pointing out moral degradation, indicating injustice, suggesting alternatives, and directing thought.
A
ESSAYS
8
Q
has grown lesser popularity
A
NOVEL
9
Q
The father of the philippine literature
A
Francisco dela Cruz Balagtas or Francisco Balagtas
10
Q
He wrote the famous epic, Florante at Laura
A
Francisco dela Cruz Balagtas
11
Q
He was nicknamed Kiko
A
Francisco dela Cruz Balagtas
12
Q
One of the most widely read Filipino Writers in the English Language
A
Francisco Sionil Jose
13
Q
Awarded National Artist for Literature in 2001.
A
Francisco Sionil Jose
14
Q
One of the most widely read Filipino Writers in the English Language
A
Francisco Sionil Jose
15
Q
Born in Rosales, Pangasinan
A
Francisco Sionil Jose
16
Q
National Artist in Literature, 1973
A
Jose Garcia Villa
17
Q
A man with incredible talent as a poet and writer
A
Jose Garcia Villa
18
Q
Introduced the reversed consonance rime scheme in poetry
A
Jose Garcia Villa
19
Q
-National Artist for Literature, 1973
A
Amado V. Herandez
20
Q
-Believed that the function of the writer is “to act as the conscience of society and to affirm the greatness of the human spirit in the face of inequity and oppression”.
A
Amado V. Herandez
21
Q
the ancient Filipinos had first dwelt in caves and had learned the art of architecture as they move and hunt for food
A
TRUE
22
Q
Bahay Kubo is the traditional house found in the Philippines
A
TRUE
23
Q
the arrival of Spaniards brought the Antillean Architecture. Christianization created the needs to build several religious structures.
A
TRUE
24
Q
New architectural structures were introduced by the Americans in 1898. Government houses built then resembled Greek and Roman temples
A
TRUE
25
the contemporary architecture in the Philippines is the result of various influences
TRUE
26
-It is the art of designing structures
ARCHITECTURE
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it should stand up robustly and remain in good condition
DURABILITY
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it should be useful; and function well for the people using it
UTILITY
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it should delight people, and raise their spirits
BEAUTY
30
Architect, interior designer, artist and classically trained pianist
Leandro Locsin (1928-1994)
31
Contribution to Filipino architecture is the Cultural Center of the Philippines, a collection of five buildings that demonstrate the architect’s drive to find a vernacular form of modernist architecture
Leandro Locsin (1928-1994)
32
Known for his ability to make this most monolothic of materials appear weightless, and to elegantly combine Western brutalism with vernacular elements
Leandro Locsin (1928-1994)
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Comitted to the belief that architecture built in the Philippines should reflect its culture and people
Juan Nakpil (1899-1986)
34
-Worked on the restoration of the home of national hero Jose Rizal.
Juan Nakpil (1899-1986)
35
-He was named a National Artist for Architecture in 1973
Juan Nakpil (1899-1986)
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-Father of the Philippine Landscape Architecture
Ildefonso Santos
37
Earliest successful projects was the Makati Commercial Center, an outdoor shopping mall in which the shop fronts and walkways were interspersed with garden trails, fountains and public artworks
Ildefonso Santos
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Became National Artist for Architecture in 2006
Ildefonso Santos
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A good building should have the characteristics
Firmitatis, Utilitatis, and Venostatis
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he contemporary architecture in the Philippines was developed from
Spanish Colonial style
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4.known for his ability to make this most monolothic of materials appear weightless, and to elegantly combine Western brutalism with vernacular elements.
Leonard Locsin
42
the father of the Philippine Landscape Architecture
Ildefonso Santos
43
was committed to the belief that architecture built in the Philippines should reflect its culture and people
Juan Nakpil
44
the highest distinction bestowed upon Filipino Artists whose body of work is recognized by their peers and more importantly by their countrymen as sublime expression of Philippine arts
National Artist Award
45
categories are music, dance, theatre, visual arts, literature, film and design.
National Artist Award
46
administered by the National Commission for Culture and the Arts and: the Cultural Center of the Philippines (Sentrong pang Kultura sa Filipinas)
National Artist Award
47
What the award given to a person or a group of artist that is recognized by the Philippine government for their contributions to the nation’s cultural heritage
GAWAD MANLILIKHA NG BAYAN
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It was institutionalized through
R.A. Act No. 7335 on – APRIL 24, 1992
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The body that governs the administration and implementtion of the Award is
National Commission for Culture and the Arts
50
He is Hanunoo Mangyan from Mansalay, Mindoro
GINAW BILOG ( +2003) – Poet
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- Ambahan is a traditional form of poetry by the Hanunoo Mangyan people of Mindoro
- shared old and new ambahans with his fellow Mangyans and promotes this poetic form on every occasion
GINAW BILOG
52
A gifted poet, bard artist, and musician who was born near the head of the river in Makagawa valley on the foothill of Mantalingayan Mountain in Palawan
MASINO INTARAY (+2013) – MUSICIAN AND STORYTELLER
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n outstanding master of the basal, kulilal and bagit
MASINO INTARAY
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-gong music ensemble
BASAL
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is a highly lyrical poem expressing passionate love sang with the accompaniment
KULILAL
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(two-stringed lute), played by a man
KUDYAPI
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(bamboo zither), played by a woman
PAGANG
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is strictly instrumental music depicting the rhythms, movements and sounds of nature, birds, monkeys, snakes, chriping od insects, rustling of leaves, the elements and the like
BAGIT
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-He is from Mama sa Pano, Maguindanao
SAMAON SULAIMAN (+2011) – MUSICIAN
60
He has achieved the highest level of excellence in the art of kutyapi playing
SAMAON SULAIMAN
61
Kutyapi or Kudyapi is a two-stringed instruement, fretted boat-lute
SAMAON SULAIMAN
62
The Maguindanao kutyapi is one of the most technically demanding and difficult to master among Filipino traditional instruments, which is one reason why the younger generation is not too keen learn it
SAMAON SULAIMAN
63
At 35 he became the most acclaimed kutyapi master and teacher of his instruement in Libutan and other barangays of Maganoy town
SAMAON SULAIMAN
64
-He has influenced other acknowledged experts in kutyapi in the area, such as Esmael Ahmad, bitul Sulaiman, Nguda Latip, Ali Ahmad and Tukal Nanalon
SAMAON SULAIMAN
65
-She is a T’boli from Lake ebu, South Cotabato
-She is traditional weaver of the tnalak or Tboli cloth
LANG DULAY (+2015) – TEXTILE WEAVER
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knows a hundred designs, including the bulinglangit (clouds), the bankiring (hair bangs), and the kabangi (butterfly), each one special for the stories it tells
LANG DULAY
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Her textiles reflects the wisdom and the visions of her people
LANG DULAY
68
She thought of the school that she wanted to build, a school where the women of her community could go to perfect their art
LANG DULAY
69
She is Tagabawa Bagobo from Bansalan, Davao Del Sur
SALINTA MONON (+2009) – TEXTILE WEAVER
70
She and her sister are the only remaining Bagobo weavers in her community
SALINTA MONON
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-She started weaving at 12 and at the age of 65 she can identify the design as well as the author of the woven piece just by a glance.
SALINTA MONON
72
-Of the many designs she weaves, her favorite is the binuwaya (crocodile), which is one of the hardest to make.
SALINTA MONON
73
has built a solid reputation for the quality of her work and the intricacies of her designs
SALINTA MONON
74
an example of traditional art.
ORAL LITERATURE
75
mainly oral in form
FOLK LITERATURE
76
a bamboo guitar
GABBANG
77
should have a historical or cultural interest or value for it to be considered an artifact.
OBJECT
78
Tausugs are from
SULU
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A frame or shelf enclosing decorated panels or revered objects above and behind an altar is called
RETABLOS
80
Tabungaw, an Ilocano head gear is made of
NATIVE GOURD
81
The traditional Iloco cloth is known as
ABEL
82
He is Kalinga, and he is from Lubuagan, Kalinga
Alonzo Saclag
83
He actively advocates the documentation of their philosophies
Alonzo Saclag
84
sulod-bukidnon from Calinog, Iloilo
Federico Caballero
85
He continued the oral tradition, collaborating with researchers to document what is customarily referred to as Humadapnon and Labaw Dunggon epics
Federico Caballero
86
-Yakan from Lamitan, Basilan
UWANG AHADAS
87
He mastered several Yakan musical instruments such as the gabbang, a bamboo xylophone, agung and even the female instrument called kwintangan
UWANG AHADAS
88
-He is an Ilocano from San Quintin, Abra.
Teofilo Garcia
89
-He has been a master artisan since he leaned how to make gourd casques and weaves baskets from his grandfather at the age of 14.
Teofilo Garcia
90
She is an Ilocano from Pinili, Ilocos Norte
Magdalena Gamayo
91
She is an master weaver of abel in her community.
Magdalena Gamayo
92
her blankets tradition of her community alive, Magdalena started teaching younger women of her expertise.
Magdalena Gamayo
93
A traditional headgear in Abra that is made of a native gourd
Teofilo Garcia
94
The traditional cloth tapestry used as a head gear among the Tausugs.
PISSYABIT
95
He documented the Humadapnon and Labaw Dunggon epics.
Federico Caballero
96
He is traditional instruemnts teacher from Lamitan, Basilan who promotes Yakan music.
UWANG AHADAS
97
It is the local term for the Tboli cloth
T’nalak
98
The Gawad ng Manlilikha ng Bayan is also known as
National Artist Award
99
It includes the dwellings, places of worship, barns, and other structures that are designed and built without assistance of formally schooled and professionally trained architect
Folk Architecture
100
It is a two-dimensional art that includes calligraphy, photography, drawing, painting, printmaking, lithography, typography, serigraphy, (silk-screen printing), and bindery
Graphic Arts
101
this art form refers to boat houses, boat making, and other maritime traditions.
Martime Transport
102
are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics
Plastic arts
103
a three-dimensional artwork created by shaping or combining hard materials, typically stone such as marble, metal glass, or wood, or plastic materials such as clay, textiles, polymers and softer metals
Carving Sculpture
104
it is an architecture formed in the process of anonymous design which later becomes traditional under the influence of various factors
Folk Architecture
105
Local architecture has no monumental purpose; in other words, structures are not built for the purpose of leaving a deliberate trace behind them.
Folk Architecture
106
5.often used to draw a distinction between popular or landmark architecture and is nearly synonymous with the terms “vernacular architecture” and “traditional architecture”
Folk Architecture
107
creation of objects that are first shaped of wet clay, and then hardened by baking. Pottery includes both decorative and practical items such as bowls, vases, dishes, and lamps.
POTTERY
108
Are unglazed earthen jars, an industry that dates back to pre-colonial times when immigrants from China came and settled in Vigan
Burnay Jar Of Ilocos
109
have small openings, and its earlier use were tea drinking, storage for water, rice grains an as a container for salt, brown sugar, local wine (basi) and bagoong (fermented fish)
Burnay Jar Of Ilocos
110
-These earthenware jars are crafted by a potter’s skillful hands with a help of potter’s wheel and a kiln.
Burnay Jar Of Ilocos
111
Fine sand used as a tempering material to achieve the desired shape, afterwards, it will be placed inside a high temperature ground kiln made of brick and clay
Burnay Jar Of Ilocos
112
Ceramic vessels of Kalinga are divided into three types: rice cooking (ittoyom), vegetable/meat cooking (oppaya), and water storage (immosso) pots
Pottery of Kalinga
113
-The rice cooking pots are usully larger, thinner and have a smaller opening than vegetable/meat pots. On the other hand, water storage pots have an average and uniform size and a smaller neck size.
Pottery of Kalinga
114
Hand-modeling and coil-and-scrape techniques are commonly used in
Pottery of Kalinga
115
Daily life uses include the makig of rice from the spots and the transfer of water from nearby water bodies to their homes
Pottery of Kalinga
