Week 5 Flashcards

(37 cards)

1
Q

Why are predominant chords inserted into chord progressions?

A

To intensify the establishment of a key

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2
Q

What chords are often used with a strong predominant function?

A

IV, iv, ii, ii^o

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3
Q

What chord is often used with a weaker predominant function?

A

vi or VI

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4
Q

True or False: predominant seventh chords fulfill the same harmonic function as predominant triad

A

True

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5
Q

Can the chordal seventh be retained in the same voice before resolving down a step?

A

yes if it results in good voice leading

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6
Q

True or False: the mediant triad is often used in harmonic progressions in the 18th-century style

A

False

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7
Q

Does the mediant triad in a minor key - III - appear more often representing the relative major?

A

Yes

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8
Q

What cadences use predominant function as they conclude a phrase?

A

plagal and Phrygian half

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9
Q

How do deceptive cadences avoid the V-I resolution of authentic cadences?

A

By having a non-tonic chord sub for the tonic

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10
Q

What four contexts can 6/4 chords be used in

A

Cadential 6/4, Neighboring/pedal 6/4, passing 6/4, Arpeggiated 6/4 patterns

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11
Q

Where does a cadential 6/4 proceed?

A

The dominant

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12
Q

In cadential 6/4 chords where do the upper voices most often move?

A

by step to the tones of the dominant

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13
Q

In cadential 6/4 chords, where should the sixth and fourth resolve?

A

down by a step

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14
Q

When do neighboring or pedal 6/4 chords occur?

A

when the third and fifth of a root-position triad are embellished by their respective upper neighbor tones while the bass remains stationary

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15
Q

Do neighboring or pedal 6/4 chords usually occur on a strong or weak beat?

A

weak

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16
Q

What does the passing 6/4 harmonize?

A

a three-note ascending or descending scale pattern

17
Q

What is an arpeggiated 6/4 pattern?

A

triad arpeggiation in the bass

18
Q

What should most commonly be doubled in a 6/4 chord?

19
Q

What are embellishment tones used for?

A

to expand individual lines and/or intensify expression

20
Q

Are embellishment tones diatonic?

21
Q

What is a pedal point?

A

one continuous note in the bass

22
Q

what is a pedal point abbreviated as?

23
Q

What is a passing tone?

A

A non-chord tone that occurs between two stable tones

24
Q

what is a passing tone abbreviated as?

25
What is a complete neighbor tone?
Movement to a neighbor tone and back down a step
26
what is a neighbor tone abbreviated as?
NT
27
What is a double neighbor figure?
moving to the upper neighbor tone, down to the lower neighbor tone, then back to the chord tone
28
what is a double neighbor figure abbreviated as?
DN
29
What is an incomplete neighbor tone?
an unaccented embellishing tone that is approached by a leap and a step in some order
30
what is an incomplete neighbor tone abbreviated as?
INT
31
What are the two kinds of INT?
Appoggiatura and Escape tone
32
What is an Appoggiatura?
An incomplete neighbor tone that is unaccented, proceeded by a leap then followed by a step
33
what is an Appoggiatura abbreviated as?
APP
34
What is an Escape tone?
an incomplete neighbor tone that is unaccented proceeded by a step then followed by a leap
35
What is an Escape tone abbreviated by?
ESC
36
What is an anticipation?
when the chord factor of the next chord is placed a little early
37
What are the three common types of suspensions?
9-8, 7-6, 4-3