Wk 9 - Music and Learning Flashcards
(49 cards)
NEAR - Low road transfer of learning
Automated skills - spontaneous and automatic
examples of NEAR
Perceptual processing of sound
Timing
Pitch/timbre
Fine motor skills
Emotional sensitivity
Conceptions of relationships between written materials and sound
Reading/memorisation of music and text
FAR - High road transfer
requires reflection and conscious processing
examples of FAR
IQ
Attainment
Recognise strengths/weaknesses
Strategies relating to motivation, concentration, monitoring progress, and evaluating outcomes.
Music and the Brain
greater musical expertise associated with increased grey matter density
Left inferior frontal gyrus
syntactic processing, executive functions, and working memory
Left intraparietal sulcus
visuomotor coordination.
Right fusiform gyrus
in visual pattern recognition.
Right mid orbital gyrus
tonal sensitivity
what areas of the brain are increased for musicians
Morphological areas
cortical structure which emerge in relation to such things as (6)
Age music training starts
Training and Practice
Instrument and type of training
Sex differences (Shaky evidence only)
Absolute Pitch
Genetics, environment, and individual differences
learning to play an instrument involves what type of training
sensorimotor and multimodal training
Schneider et al., 2023
Longitudinal study of musicians (n=66) and non-musicians (n=46) throughout adolescence
tested at 5 time points (starting at 7 - young)
Also compared with data from previous cross sectional studies with young adults (19-29 y) and middle aged adults (30-67 y) .
Measures:
- MRI – measures of grey matter in Heschl’s gyrus and Planum temporale
- Magnetoencephalography (MEG) – measures of P1, N1, and P2 in relation to auditory stimulus.
- Auditory Discrimination – Frequency, Intensity, Onset ramp, Duration, Rhythm, Subjective Pitch
(NEAR transfer)
subjective pitch - play them a note, tell what it is, play them another note, can say what it is - scale in their head
Schneider et al., 2023 (grey matter)
Greater grey matter in both right and left Heschl’s gyrus (HG) for musicians, but lower level in Planum temporale (PT)
This remains quite static across all ages.
what is the overlap between music perception and language
neural overlap
phonological awareness
music and literacy - language
speech and music have similar acoustic and structural features
- particularly patterning of strong and weak syllables or beats that make up rhythm, meter etc
- making sound supports the development of aural processing systems, facilitates the encoding and identification of speech sounds and patterns which, in turn, should enhance language skills.
what type of music making is effective for young children
informal in the home and more formal activities in playschools
what do current neurophysiological models assume speech and music processing are based on
the synchronization of internal neuronal oscillations with temporally regular stimuli
Similar to neuroplasticity it would seem the earlier the engagement with music training, the better.
what 5 things all contribute to literacy
phonological awareness
speech-in-noise perception
rhythm perception
auditory working memory
the ability to learn sound patterns
phonological awareness
For speech, one important area is voice onset time (VOT)
Delay between when a sound begins and when the vocal cords start vibrating
Difference between hearing “Da” or “Ta” only 10ms
- vowel is same but is the onset of the vowel that makes the difference
rhythm - durational patterns
Notes stressed at different levels depending on how they align to metrical framework.
Helps guide beat perception- when tapping along individuals tend tap close to the first beat where the stress is.
Similarly with speech – listener can take advantage of durational regularities such as slowing at end of sentence, and, somewhat, predictable occurrence of syllables with different degrees of stress.
Temporal regularities used for speech segmentation – necessary for the development of phonological awareness .
Good readers show greater sensitivity to speech rhythm.
Therefore, tracking rhythmic patterns is vital for both music and speech perception. Furthermore, this is important for reading skills.
what is dynamic attending theory in music
Set of neural oscillators that phase-lock and resonate to temporal structure of music.
Attentional focus that waxes and wanes following rhythmic structure of piece of music.
what is temporal sampling hypothesis - speech
Track rise and fall in speech amplitude over time.
Phase locking of slow neural oscillations in delta and theta range (2-7 Hz)
“Samples” low frequency information crucial to speech segmentation and discrimination of speech sounds.
if the Dynamic attending theory and Temporal Sampling Hypothesis are correct, what does this mean for rhythm in music and speech
they are tracked via the same biological mechanism