AP Lit Terms Flashcards

0
Q

Alliteration

A

The repetition of consonant sounds, especially at the beginning of words

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1
Q

Allegory

A

A symbolic narrative in which the surface details imply a secondary meaning. Allegory often takes the form of a story in which the characters represent moral qualities

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2
Q

Anapest

A

Two unaccented syllables followed by an accented one

com-pre-HEND, in-ter-VENE

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3
Q

Antagonist

A

A character or force against which another character struggles

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4
Q

Aside

A

Words spoken by an actor directly to the audience, which are not “heard”by the other characters on stage during a play

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5
Q

Assonance

A

The repetition of similar vowel sounds in a sentence or a line of poetry or prose
(“I rose and told him of my woe”)

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6
Q

Aubade

A

A love lyric in which the speaker complains about the arrival of the dawn, when he must part from his lover

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7
Q

Ballad

A

A narrative poem written in four-line stanzas, characterized by swift action and narrated in a direct style

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8
Q

Blank Verse

A

A line of poetry or prose in unrhymed iambic pentameter

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9
Q

Caesura

A

A strong pause within a line of verse

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10
Q

Catastrophe

A

The action at the end of a tragedy that initiates the denouement or falling action of the play

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11
Q

Catharsis

A

The purging of the feelings of pity and fear that, according to Aristotle, occur in the audience of tragic drama. The audience experiences catharsis at the end of the play, following the catastrophe

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12
Q

Character

A

An imaginary person that inhabits a literary work. Literary characters may be major or minor, static or dynamic

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13
Q

Characterization

A

The means by which writes present and reveal character. Although techniques of characterization are complex. writers typically reveal characters through their speech, dress, manner, and actions

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14
Q

Chorus

A

A group of characters in a Grek tragedy (and later forms of drama), who comment on the action of a play without participation in it

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15
Q

Climax

A

The turning point of the action in the plot of a play or story. The climax represents the point of greatest tension in the work

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16
Q

Closed Form

A

A type of form or structure in poetry characterized by regularity and consistency in such elements as rhyme, line length, and metrical pattern

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17
Q

Comedy

A

A type of drama in which the characters experience reversals of fortune, usually for the better, In cmodey, things work out happily in the end.
(Comic drama may be either romantic–characterized by a tone of tolerance and geniality–or satiric. Satiric works offer a darker vision of human nature, one that ridicules human folly)

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18
Q

Comic Relief

A

The use of a comic scene to interrupt a succession of intensely tragic dramatic moments. The comedy of scenes offering comedic relief typically parallels that tragic action that the scenes interrupt. Comic relief is lacking in Greek tragedy, but occurs regularly in Shakespeare’s tragedies

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19
Q

Complication

A

An intensification of the conflict in a story or play. Complication builds up, accumulates, and develops the primary or central conflict in a literary work

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20
Q

Conflict

A

A struggle between opposing forces in a story or play, usually resolved by the end of the work. The conflict may occur within a character as well as between characters

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21
Q

Connotation

A

The associations called up by a word that goes beyond its dictionary meaning. Poetts especially tend to use words rich in connotation

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22
Q

Convention

A

A customary feature of a literary work, such as the use of a chorus in Greek tragedy, the inclusion of an explicit moral in a fable, or the use of a particular rhyme scheme in a villanelle. Literary conventions are defining features of particular literary genres, such as novel, short story, ballad, sonnet, and play

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23
Q

Couplet

A

A pair of rhymed lines that may or may not constitute a separate stanza in a poem

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24
Q

Dactyl

A

A stressed syllable followed by two unstressed one

FLUT-ter-ring, BLUE-ber-ry

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25
Q

Denotation

A

The dictionary meaning of a word. Writers typically play off a word’s denotative meaning against its connotations, or suggested and implied associational implications

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26
Q

Denouement

A

The resolution of the plot of a literary work

In Hamlet, after the tragedy when the stage is littered with corpses

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27
Q

Deus ex Machina

A

A god who resolves the entanglements of a play by supernatural intervention. The Latin phrase means, literally, “a god from the machine.” The phrase refers to the use of artificial means to resolve the plot of a play

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28
Q

Dialogue

A

The conversation of characters in a literary work. In fiction, dialogue is typically enclosed within quotation marks. In plays, characters’ speech is preceded by their names

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29
Q

Diction

A

The selection of words in a literary work. A work’s diction forms one of its centrally important literary elements, as writers use words to convey action, reveal character, imply attitudes, identify themes, and suggest values. We can speak of the diction particular to one character, or as represented over the body of his or her work

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30
Q

Dramatic Monologue

A

A type of poem in which a speaker addresses a silent listener. As readers, we overhear the speaker in a dramatic monologue

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31
Q

Dramatis Personae

A

Latin for the characters or persons in a play

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32
Q

Elegy

A

A lyric poem that laments the dead

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33
Q

Elision

A

The omission of an unstressed vowel or syllable to preserve the meter or a line of poetry

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34
Q

Enjambment

A

A run-on line of poetry in which logical and grammatical sense carries over from one line to the next. An enjambed line differs from an end-stopped lined in which the grammatical and logical sense is completed within the line

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35
Q

Epic

A

A long narrative poem that records the adventures of a her. Epics typically chronicle the origins of a civilization and embody its central values

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36
Q

Epigram

A

A brief witty poerm, often satirical

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37
Q

Exposition

A

The first stage of a fictional or dramatic plot, in which necessary background information is provided. A Doll’s House begins with a conversation between the two central characters, a dialogue that fills the audience in on events that occurred before the action of the play begins, but which are important in the development of its plot

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38
Q

Fable

A

A brief story with an explicit moral provided by the author. Fables typically include animals as characters

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39
Q

Falling action

A

In the plot of a story or play, the action following the climax of the work that moves it towards its denouement or resolution

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40
Q

Falling Meter

A

Poetic meters such as trochaic and dactylic that move or fall from a stressed to an unstressed syllable. The nonsense line “Higgledy, piggledy” is dactylic, with the accent on the first syllable and the two syllables following falling off from that accent in each word

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41
Q

Fiction

A

An imagined story, whether in prose, poetry, or drama. And of course, characters in stories and novels are fictional though they too may be based in some way on real people

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42
Q

Figurative Language

A

A form of language in which writers and speakers convey something other than the literal meaning of their words. Examples include hyperbole or exaggeration, litotes or understatement, simile and metaphor, which employ comparison, and synecdoche and metonymy, in which a part of the thing stands for the whole

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43
Q

Flashback

A

An interruption of a work’s chronology the describe or present an incident that occurred prior to the main time frame of a work’s action. Writers use flashbacks to complicate the sense of chronology in the plot of their works and to convey the richness of the experience of human time

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44
Q

Foil

A

A character who contrasts and parallels the main character in a play or story

45
Q

Foot

A

A metrical unit composed of stressed and unstressed syllables. For example, and iamb or iambic foot is represented by ~’, that is, an unaccented syllable followed by an accented one

46
Q

Foreshadowing

A

Hints of what is to come in the action of a play or a story

47
Q

Fourth Wall

A

The imaginary wall of the box theater setting, supposedly removed to allow the audience to see the action

48
Q

Free Verse

A

Poetry without a regular pattern of meter or rhyme. The verse is free in not being bound by earlier poetic conventions requiring poems to adhere to an explicit and identifiable meter and rhyme scheme in a form such as the sonnet or ballad. Modern and contemporary poets of the 20th and 21st century often employ free verse

49
Q

Gesture

A

The physical movement of a character during a play. Gesture is used to reveal character, and may include facial expressions as well as movements of other parts of an actor’s body. Sometimes a play write will be very explicit about both bodily and facial gestures, providing detailed instructions in the play’s stage directions

50
Q

Hyperbole

A

A figure of speech involving exaggeration

51
Q

Iamb

A

An unstressed syllable followed by a stressed one

to-DAY

52
Q

Image

A

A concrete representation os a sense impression, a feeling, or an idea. Imagery refers to the pattern of related details in a work. In some works one image predominates either by recurring throughout the work r by appearing at a critical point in the plot. Often writers ur multiple images throughout a work to suggest states of feeling and to convey implications of thought and action

53
Q

Imagery

A

The pattern of related comparative aspects of language, particularly of images, in a literary work

54
Q

Irony

A

A contrast or discrepancy between what is said and what is meant or between what happens and what is expected to happen.
Verbal-characters say the opposite of what the mean
Situational-opposite of what is expected occurs
Dramatic-character speaks in ignorance of a situation or event known to the audience and/or other characters

55
Q

Literal Language

A

A form of language in which writers and speakers mean exactly what their words denote

56
Q

Lyric Poem

A

A type of poem characterized by brevity, compression, and the expression of feeling

57
Q

Metaphor

A

A comparison between essentially unlike things without an explicitly comparative word such as like or as
(“My love is a red, red rose”)

58
Q

Meter

A

The measured pattern of rhythmic accents in poems

59
Q

Metonymy

A

A figure of speech in which a closely related term is substituted for an object or idea
(“We have always remained loyal to the crown”)

60
Q

Monologue

A

A speech by a single character without another character’s response

61
Q

Narrative Poem

A

A poem that tells a story

62
Q

Narrator

A

The voice and implied speaker of a fictional work, to be distinguished from the actual living author

63
Q

Octave

A

An 8 line unit, which may constitute a stanza; or a section of a poem, as in the octave of a sonnet

64
Q

Ode

A

A long, stately poem in stanzas of varied length, meter, and form. Usually a serious poem on an exalted subject

65
Q

Onomatopoeia

A

The use of words to imitate the sounds the descrive, like buzz and crack. Most often onomatopoeia refers to words and groups of words

66
Q

Open Form

A

A type of structure in poetry characterized by freedom from regularity and consistency in such elements as rhyme, line length, metrical pattern and overall poetic structure

67
Q

Parable

A

A brief story that teaches a lesson often ethical or spiritual

68
Q

Parody

A

A humorous, mocking imitation of a literary work, sometimes sarcastic, but often playful and even respectful in its playful imitation

69
Q

Pathos

A

A quality of a play’s action that stimulates the audience to feel pity for a character. Pathos is always an aspect of tragedy, and may be present in comedy as well

70
Q

Personification

A

The endowment of inanimate objects or abstract concepts with animate or living qualities
(“The yellow leaves flaunted their color gaily in the breeze”)

71
Q

Plot

A

The unified structure of incidents in a literary work

72
Q

Point of View

A

The angle of vision from which a story is narrated
First Person-The narrator is a character or observer
Objective-The narrator knows or appears to know no more than the reader
Omniscient-The narrator knows everything about the characters
Limited Omniscient-The narrator knows some things about the characters but not everything

73
Q

Props

A

Articles or objects that appear in stage during a play

74
Q

Protagonist

A

The main character of a literary work

75
Q

Phyrric

A

A metrical foot with two unstressed syllables (“of the”)

76
Q

Quatrain

A

A 4 line stanza in a poem, the first four lines and the second four lines in a Petrarchan sonnet. A Shakespearean sonnet contains three quatrains followed by a couplet

77
Q

Recognition

A

The point at which a character understands his or her situation as it really is

78
Q

Resolution

A

The sorting out or unravelling of a plot at the end of a literary work

79
Q

Reversal

A

The point at which the action of the plot turns in an unexpected direction for the protagonist. Oedipus’s and Othello’s recognitions are also reversals. They learn what they did not expect to learn

80
Q

Rhyme

A

The matching of final vowel or consonant sounds in two or more words

81
Q

Rhythm

A

The recurrence of accent or stress in lines of verse

82
Q

Rising Action

A

A set of conflicts and crises that constitute that part of a play’s or story’s plot leading up to the climax

83
Q

Rising Meter

A

Poetic meters such as iambic and anapestic that move or ascend from an unstressed to a stressed syllable

84
Q

Satire

A

A literary work that criticizes human misconduct and ridicules vices, stupidities and follies
(Gulliver’s Travels)

85
Q

Sestet

A

A 6 line unit of verse constituting a stanza or section of a poem; the last six lines of an Italian sonnet

86
Q

Sestina

A

A poem of 39 lines and written in iambic pentameter. Its 6 line stanza repeat in an intricate and prescribed order the final word in each of the first 6 lines. After the sixth stanza, there is a 3 line envoi, which uses the six repeat words, 2 per line

87
Q

Setting

A

The time and place of a literary work that establish its context. The stories of Sandra Cisneros are set in the American southwest in the mid to late 20th century, those of James Joyce in Dublin, Ireland in the early 20th century

88
Q

Simile

A

A figure of speech involving a comparison of two unlike things using like, as, or as though

89
Q

Soliloquy

A

A speech in a play that is meant to be heard by the audience but not by other characters on stage

90
Q

Sonnet

A

A 14 line poem in iambic pentameter. The Shakespearian or English sonnet is arranged as 3 quatrains and a final couplet, rhyming abab cdcd efef gg. The Petrarchan or Italian sonnet divides into 2 parts; an 8 line octave and a 6 line sestet, rhyming abba abba cd cd cd

91
Q

Spondee

A

A metrical foot represented by 2 stresses syllables

KNICK-KNACK

92
Q

Stage Direction

A

A playwright;s descriptive or interpretive comment that provide readers (and actors) with information about the dialogue, setting and action of a play. Modern playwrights, including Ibsen, Shaw, Miller, and Williams tend to include substantial stage directions, while earlier playwrights typicially used them more sparsely, implictly, or not at all

93
Q

Staging

A

The spectacle a play presents in perfirmance, including the position of actors on stage, the scenic background, the props and costumes, and the lighting and sound effects

94
Q

Style

A

The way an author chooses words, arranges them in sentences or in lines of dialogue or verse, and develops ideas and actions with description, imagery, and other literary techniques

95
Q

Subject

A

What a story or play is about; to be distinguished from plot and theme

96
Q

Subplot

A

A subsidiary or subordinate or parallel plot in a play or story that coexists with the main plot

97
Q

Symbol

A

An object or action in a literary work that means more than itself, that stands for something beyond itself

98
Q

Synecdoche

A

A figure of speech in which a part is substituted for a whole
(“Lend me a hand”)

99
Q

Syntax

A

The grammatical order of words in a sentence or lines of verse or dialogue. The organization of words or phrases and clauses in sentences of prose, verse, and dialogue

100
Q

Tale

A

A story that narrates strange happenings in a direct manner, without detailed descriptions of character

101
Q

Tercet

A

A 3 line stanza, as the stanzas of Frost’s “Acquainted With the Night”. The 3 line stanzas or sections that together constitute the sestet of a Petrarchan or Italian Sonnet

102
Q

Theme

A

The idea of a literary work abstracted from its details of language, characters and action, and cast in the form of a generalization

103
Q

Tone

A

The implied attitude of a writer toward the subject and characters of a work

104
Q

Tragedy

A

A type of drama in which the characters experience reversals of fortune, usually for the worse. In tragedy, catastrophe and suffering await many of the characters, especially the hero

105
Q

Tragic Flaw

A

A weakness or limitation of character, resulting in the fall of the tragic hero
(Othello: jealousy, trusting nature)

106
Q

Tragic Hero

A

A privileged, exalted character of high repute who, by virtue of a tragic flaw and fate, suffers a fall from glory into suffering

107
Q

Trochee

A

An accented syllable followed by an unaccented one

FOOT-ball

108
Q

Understatement

A

A figure of speech in which a writer or speaker says less than what he or she means, the opposite of exaggeration

109
Q

Unities

A

The idea that a play should be limited to a specific time, place, and story line

110
Q

Villanelle

A

A 19 line lyric poem that relies heavily on repitition. The first and third lines alternate throughout the poem, which is structured in 6 stanzas–5 tercets and a concluding quatrain