arab cinema & digital cinema Flashcards

(34 cards)

1
Q

1st feature film to be produced entirely digitally:

A

toy story, 1995

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2
Q

toy story was produced digitally, but when it was shown in cinemas…

A

it had to be printed on celluloid bc thats what projectors required

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3
Q

the first film to be projected digitally

A

Star wars phantom menace, 1999

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4
Q

first big budget live action film to be shot entirely digitally

A

star wars attack of the clones 2002

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5
Q

first feature films to be shot entirely digitally

A

the celebration/the idiots, 1998

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6
Q

Dogme95 was a [1], heavily influenced by [2]

A
  1. danish film movement
  2. cinema veritie
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7
Q

Dogme95 made dramas or documentaries?

A

dramas

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8
Q

Dogme95 drew from cinema veritie both…

A

technologically and ideologically

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9
Q

dogme95 filmmakers made a set of rules called [1], which required [2]

A
  1. the vow of chastity
  2. them to be truthful in certain ways
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10
Q

In their manifesto they drew attention to the [1] enabled by digital cinema, which is [2]

A
  1. democratization
  2. much cheaper to shoot than celluloid
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11
Q

first film of the dogme95 movement?

A

the celebration (vinterberg, 1998)

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12
Q

who is Anthony Dod Mantle

A

Pioneer of digital filmmaking for feature theatrical fiction films

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13
Q

Abbas kiarostami is an iranian director who’s well known for

A

blending documentary and fiction in aesthetically realist modes

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14
Q

the festival circuit refers to

A

the tour that many films do if international film festivals

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15
Q

Ways that films can go to festivals:

A

be submitted
be invited

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16
Q

Lerger festivals develop relationships with filmmakers/studios so they can

A

always premiere their work

17
Q

Festivals are important to an audience bc

A

films that never get broader distribution in a country can still be seen on a big screen

18
Q

film fests are important for filmmakers bc:

A

it gives the opportunity for publicity

19
Q

film fests are important for distributors bc:

A

they provide a marketplace

20
Q

Much of arab cinema may not survive without

A

the festival curcuit

21
Q

some islamic cultures have prioritized linguistic art rather than visual bc

A

there is debate in islam about the use of figurative or representational art, especially the representation of the human figure

22
Q

Historically the most prolific film industry of the arab world was

A

egyptian cinema

23
Q

Outside of egypt, the film industries aren’t large and established enough to

A

produce and distribute films that make enough money from arab speaking audiences

24
Q

arab film industries & their product must be seen in a context of

A

globalization rather than post-colonialism

25
funding for arab cinema comes largely from
the west
26
the funding structure makes arab cinema what types of cinema?
auteur and art house
27
One of the ways that auteurism is used is that we see
female filmmakers
28
contemporary arab cinema has echos of
french new wave film theory
29
orientalism is defined as
representations of the east by westerners for the pleasure and consumption of westerners
30
Can be suggested that arab cinema is a kind of neo-orientalist project bc
it is mainly funded by europeans and made for a festival curcuit that predominatly takes place in the west
31
saudi had a ban on public movie screenings until
2018
32
Haifaa Al-Mansour is the
writer/director of wadjda
33
Al-Mansour has emphasized that digital cinema
gave her the freedom and flexibility to learn
34
wadjda was the first feature film to be
written & directored by a women and shot entirely in saudi