Chapter 3 Flashcards

1
Q

Which of following can be said about Bob Dylan and Joan Baez during the folk revival?
they produced several hit singles
they were pop-oriented
they had top 40 albums
they were cover artists

A

they had top 40 albums

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

The focus of American Bandstand was:
provocative live performances
resurrecting rhythm and blues songs
teenagers dancing to pop music
developing new songwriting talent

A

teenagers dancing to pop music

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

A playlet is a:
short song telling a humorous story
song that romanticizes teenage death
song produced and performed by the same person
song that combines rockabilly sounds with Brill Building recording techniques

A

short song telling a humorous story

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

“Dead Man’s Curve” was a splatter-platter hit by:
the Beach Boys
the Shangri-Las
George “Shadow” Morton
Jan and Dean

A

Jan and Dean

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Almost no aspect of pop music during the early 1960s was completely immune from the influence of Brill Building practices. T/F

A

True

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

“Bubblegum music” is a term used to describe the music that emerged from teen idols in the late 1950s. T/F

A

True

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Which aspects of “Leader of the Pack” indicate it is a playlet?
It was recorded by a girl group.
It contains a story line and an epilogue.
It was produced by Phil Spector.
It is an example of a surf song.

A

It contains a story line and an epilogue

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

In the early 1950s, many folk musicians ran into problems due to:
accusations of Communism
protesting the Korean War
sympathizing with Civil Rights
opposing Vietnam

A

accusations of Communism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

All of the following were populist characteristics of the folk song movement EXCEPT:
the folk tunes were familiar to the audience
almost anyone could play folk music
the folk music singer’s prowess and image among the audience
the importance of song lyrics

A

the folk music singer’s prowess and image among the audience

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

The name of the record label formed by Leiber and Stoller was Spark Records. T/F

A

True

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Phil Spector referred to the singles he produced as:
one-hit wonders
teenage symphonies
musical playlets
Splatter Platter

A

teenage symphonies

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Teen idols were marketed primarily as:
bad boys
ideal boyfriends
singer/songwriters
professional studio musicians

A

ideal boyfriends

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Sam Cooke’s singing style is often referred to as:
rhythmic soul
sweet soul
melodic soul
gentle soul

A

sweet soul

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Which of the following cities produced an especially high number of teen idol hits from 1957–1963?
New York
Boston
Los Angeles
Philadelphia

A

Philadelphia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Who developed “the Wall of Sound”?
Mike Stoller
Carole King
Phil Spector
Jan Berry

A

Phil Spector

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

The pop audience’s perception of the image and authenticity of folk music was the result of the:
wide acceptance of the music by the college-age audience
effort of the music industry to market the movement
availability of long-playing albums
homespun image of folk music singers

A

effort of the music industry to market the movement

17
Q

Which folk music group had a hit song with a cover of Bob Dylan’s “Blowin’ in the Wind”?
the Kingston Trio
the Weavers
the Highwaymen
Peter, Paul, and Mary

A

Peter, Paul, and Mary

18
Q

Prior to the 1960s, an A&R man was a specialist in charge of shaping the sound of a record. T/F

19
Q

An important component of the Beach Boys’ success was:
Dick Dale’s guitar solos
Jan Berry’s songwriting
Brian Wilson’s production and writing
Chuck Berry’s guitar influence

A

Brian Wilson’s production and writing

20
Q

The Beach Boys’ first number-one hit was:
“Surfin’ Safari”
“Fun, Fun, Fun”
“I Get Around”
“Surfin’ U.S.A.”

A

“I Get Around”

21
Q

All of the following are examples of girl groups EXCEPT:
the Ronettes
the Drifters
the Crystals
the Dixie Cups

A

The Drifters

22
Q

The role of the A&R man was to:
write and record songs
develop trademark sounds on pop recordings
organize and coordinate the professionals involved in recording
find the right producer to record a hit song

A

organize and coordinate the professionals involved in recording

23
Q

Dick Dale was known for:
influencing the Beach Boys
his trademark fast tremolos on the guitar
writing playlet songs
singing in falsetto

A

his trademark fast tremolos on the guitar

24
Q

Musical influences on the Beach Boys include all of the following EXCEPT:
sweet soul
Phil Spector
doo-wop
Chuck Berry

A

sweet soul

25
A distinctive vocal feature of the Everly Brothers was: a smooth rhythm and blues influence in their harmonies doo-wop-style backing vocals a combination of low chest singing and high falsetto pitches harmonies sung at the high end of the male vocal range
harmonies sung at the high end of the male vocal range