Debussy Pagodes Flashcards

(19 cards)

1
Q

Name three exotic scales used in this piece?

A

Whole tone, modal, pentatonic melodies

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2
Q

Name one thing about the harmony that is expected and one that is unexpected

A

-expected chords
-unexpected moduations

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3
Q

How can the harmony be described overall?

A

mostly functional with some chromaticism

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4
Q

Name two words to describe the harmony that end with ‘harmony’ and two ways to describe a harmonic accompaniment

A

-quartal harmony
-parallel harmony
-pedal notes/drones
-rolled chords

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5
Q

Name four rhythmic features

A

-Rubato
-cross rhythms
-long sustained notes but filigree decoration at the end
-mainly quavers and semiquavers

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6
Q

What is the structure

A

-ABA feel
-the central section has elements of the first one
-each section has a number of subsections

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7
Q

Japanese gamelan is clear in….

A

The prominent use of the pentatonic scale, the conjunct melody and the low ‘gong’ sounds imitated by the bass notes of the piano

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8
Q

How is the gong sound created in the opening two bars?

A

Low-pitched open fifths

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9
Q

The key signature suggests……but…..

A

B major or G# minor but neither are properly established

B is a tonal centre at the beginning rather than a key

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10
Q

Where does the A section start and end?

A

Bars 1-32

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11
Q

When does the B section start and end?

A

Bars 33-52

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12
Q

Name the ways in which the B section draws on the A section

A

-the two note syncopated chords from the end of the A section continue as a link
-new version of the melody from bar 11

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13
Q

When does the A section ‘return’ (varied)

A

Bar 53-end

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14
Q

When is the coda?

A

78-98

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15
Q

What ‘keys’ does the B section go through?

A

B major-G# minor-B major

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16
Q

What keys does the returning A section go through?

A

B major - G# minor - D sharp minor

17
Q

What key is the coda in?

18
Q

give four ways to describe the texture

A

-pedal notes/drones
-melodies and countermelodies
-polyphonic/contrapuntal
-melody dominated homophony

19
Q

give four ways to describe the melody

A

-mostly diatonic
-mixture of conjunct and disjunct
-scalic arch melody in the left hand
-whole tone melody in the B section