G3: Language Comprehendsion Flashcards

1
Q

the ability to understand spoken or written language

A

Language Comprehension

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2
Q

Breaking down or analysis of the syntactical structure of sentences.

A

Parsing

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3
Q

• readers or listeners can be misled or “to be led down the garden path” by ambiguous sentences.

A

Garden-path Model (Fraizer & Rayner, 1982)

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4
Q

• This model has been developed by MacDonald (2013) into the production-distribution-comprehension account. This model assumes speakers use various strategies to reduce processing demands:
• Start with common words and syntactically simple phrases while the rest of the utterance is planned.
• Favour more practised and easy sentence plans.

A

Constraint-based Model (MacDonal et al, 1994)

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5
Q

This model combines aspects of the garden-path and constraint-based models. It assumes:
• All sources of information are used to identify a syntactic structure.
• All other possible syntactic structures are ignored unless the favoured syntactic structure is disconfirmed.
• If the initially chosen. syntactic structure has to be discarded then there is an extensive period of reanalysis.

A

Unrestricted Race Model (Van Sompel et al., 2001)

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6
Q

• The study or analysis of intended meaning considering the context in which it is used.
• The intended meaning of a sentence may not be the same as its literal meaning.

A

Pragmatics

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7
Q
  • does not use a word’s strict or realistic meaning
A

Figurative Language

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8
Q

Speakers not only use language to say things, but also to do things.
• Used to commit to an action.

A

Speech-Act theory

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9
Q
  • speaker’s utterance (Is there any salt?)
A

Locutionary Act

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10
Q

speaker’s intention (Please give me some salt.)

A

Illocutionary Act

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11
Q
  • hearer’s reaction (Gives the salt)
A

Perlocutionary Act

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12
Q

• Centered on the idea of appealing to a person’s positive or negative face by being polite.
• “The positive public image we seek to establish in social interactions.” (Goffman, 1995)

A

Politeness Theory

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13
Q
  • an individual’s desire to be liked and appreciated by others (self-esteem)

Example: “You always wear such lovely clothes! I’d love to borrow something one day.”

A

Positive Face

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14
Q
  • an individual’s desire to protect their personal rights (freedom of speech and action)

Example: “I know it’s a real pain, and I hope you don’t mind, but could you please print these off for me?”

A

Negative Face

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15
Q

• Based on the idea of cooperation.
• When people talk, they naturally want to work together, which makes it easier to understand each other.

A

Cooperative Principle

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16
Q
  • They will tell the truth or what they think is the truth.
A

Maxim of Quality

17
Q
  • They will give sufficient information.
A

Maxim of Quantity

18
Q
  • They will say things that are relevant to the conversation.
A

Maxim of Relevance

19
Q
  • They will be clear, pleasant and helpful.
A

Maxim of Manner

20
Q

: What a person can imply, suggest, or mean.
• Refers to indirect speech acts.
• Examining or wanting to know what something means without them explicitly saying it.
• Example: A couple are watching TV, but they are both looking at their phones and not paying much attention to the TV. The boy says, “Are you watching this? “ The girl grabs the remote and changes the channel.

A

Conversational Implicature

21
Q
  • knowledge of the strategies and realizing speech intentions and linguistic items used.
A

Pragmalinguistics

22
Q
  • Indicates the social perception that underlie participants’ interpretation and performance of communicative
A

Sociopragmatics

23
Q
  • That part of pragmatics that studies the “mental” uses of signs.
A

Psychopragamtics

24
Q

The enduring psychological characteristics that distinguishes one person from another, which makes it easier and helpful to define each person’s individuality or identity.

A

Individual Differencess

25
Q

This is piecing together a story. It’s about understanding who or what the story is about, making sure everything makes sense, and connecting new information with what you already know. It helps you follow conversations, figure out who’s talking, and ensure there are no mistakes or confusing parts. It’s like solving a puzzle to understand the big picture of what’s being said or written.

A

Discourse processing

26
Q

involves constructing an internal representation based on existing knowledge previously gained in the brain (Quillian, 1968; Wang
2003). It is what unlocks the mental pathways to build meaning, understanding, and a mental picture of text.

A

Comprehension

27
Q

Understanding a text’s concepts, ideas, terminology, events, and given information is known as literal comprehension.
It entails obtaining precise responses to inquiries or compiling data for inquiries beginning with “what, where, when, who,” etc.

A

Level 1: Literal level comprehension

28
Q

The capacity to draw reasonable conclusions from facts and information obtained or The literal level of comprehension requires some abilities that are necessary for comprehending any text or statement in general, and they include:
• The ability to understand what a sentence is saying without analyzing it.
• The ability to understand the literal meaning of words.
• The ability to understand the literal meaning of sentences.

A

Level 2: Inference Comprehension

29
Q

Comprehension is more than just making sense of the text or music by decoding it. It also entails expressing opinions and reactions to information or occurrences in light of a more thorough comprehension of the text or circumstance.
This is like enjoying a book or piece of music because it resonates with your personal tastes and interests. It involves reading or experiencing something with a sense of enjoyment or appreciation, often because it aligns with your values, preferences, or emotions.

A

Level 5: Appreciative Comprehension

30
Q

A deeper grasp of the subject or event is necessary. It entails evaluating and assessing the purpose, viewpoint, language, and presentational style of an event or an author.

A

Level 3: Evaluative Comprehension

31
Q

involves taking information from a text or event, understanding it as it’s presented, and then rearranging it into new patterns that align with your own ideas.

A

Level 4: Reorganization Comprehension