Lotf essay plan paragraphs + quotes Flashcards

(40 cards)

1
Q

Law and Order- Intro

A

At the start the rules on the island derive from society and emulate it’s premises
At the end democracy is disregarded in favour of impulse and primitive desire - resulting in violence

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2
Q

Law and Order - Paragraph 1

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Point: laws mirror previous society
‘we can use this to call the others. Have a meeting.’ - shows how the boys are tethered to societal norms
‘this toy of voting’ - whilst they are children voting is how the world where they are from decides issues so they do it as well
‘as if released from class’ - shows how they still conform to the rules of the old world even though they don’t need to anymore
‘we’ll have to have ‘‘hands up!’’ like at school’ - the comparison to school shows that school is still very much in the forefront of their minds and still controls them.

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3
Q

Law and Order - Paragraph 2

A

Point: boys value democracy less, favouring their desire for freedom and violence
‘Bollocks to the rules! We’re strong - We hunt!’ links hunting to their descent to savagery making it a symbol throughout the novella and also the simple language shows a reverse of evolution back to primal language effectively forgetting the words they are taught in school showing their disassociation and defiance with the old world rules.
‘If i blow the conch and they don’t come back …. we’ll be like animals’ - one of the most ethical members on the islands foreshadows the descendance to savagery they are undergoing using a simile.
‘anyone who wants to hunt when I do can come’ - previously they were to civilised to kill the pig but now it is encouraged and embraced showing a step back in evolution back to days of hunting for food.’
‘we don’t need the conch anymore … leave deciding to us’ - the conch is a symbol of democracy so by disregarding it jack is becoming a powerful dictator that is power hungry and ruthless - similar to the power grabs that turn countries into dictatorships in the real world (microcosm).

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4
Q

Law and Order - Paragraph 3

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Point: boys succumb to savagery after disregarding rules
‘liberation into savagery’ - shows that they are embracing their new habits and therefore humans naturally enjoy evil behaviour - the exact point Golding is trying to make in the novella.
‘ ‘‘Calling an assembly’’ the savages …. muttered among themselves but made no motion’ - the Conch has lost all its significance and therefore now democracy has dissipated and dictatorship prevailed. There is no more respect for law and order and therefore the children are now barbaric.
‘the conch exploded into a thousand white fragments and ceased to exist’ - the democracy has now completely been destroyed by the savagery and evil of Jack and his hunters and that their savagery has overcome democracy just as the evil of man has overcome the good.
‘ ‘‘Which is better to have rules and agree, or to hunt and kill?’’ ‘ - he is presenting an obvious rhetorical question but he knows that the law and order has completely disappeared and therefore only Jack’s opinion matters. Therefore, the boys will choose the latter option because it benefits Jack the most.

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5
Q

Good and Evil - Intro

A

Ralph reflects goodness
Evil of mankind is reflected through the Beast
Boys are demonic

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6
Q

Good and Evil - Paragraph 1

A

Point: Ralph’s leadership connotes the ascendance of morality
‘a mildness about his mouth and eyes that proclaimed no evil’ - Golding begins by showing that Ralph is the protagonist within the novella.
‘fair boy’ - this description correlates to his actions and overall character. At this point he is the main character and therefore good takes the spotlight for the beginning.
‘the assembly was lifted towards safety by his words’ - he is able to command respect from others for the good of the group.
‘they liked an now respected him’ - he is instantly a figure of positive importance that is respected as well as liked meaning he should have loyalty and power for good.

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7
Q

Good and Evil - Paragraph 2

A

Point: Evil of the boys is suggested through the Beast in particular
‘Maybe there is a Beast, maybe it is only us’ - Simon is a mouthpiece for Golding who is saying that humans are innately evil due to his account of war. This shows that the Beast is a verbal manifestation of the evil within the boys which aligns with the fact that it starts when the hunters begin killing pigs with lots of enjoyment and bloodlust.
‘you knew didn’t you? I’m part of you? close, close, close!’ - this hallucination between Simon and the Lord of the Flies is really just a conversation with the different parts of himself the good and the evil. In this interaction the pig’s head on the stick is the evil and is taunting Simon with the fact that he knows that he is actually evil. This is a turning point in the battle between good and evil as Simon and the reader realise that the immoral part of the children is stronger than the moral part.
‘There was blackness within, blackness that spread’ - the evil is symbolised by the blackness as a warning for the terrorism that Jack is overcoming the good in the majority of the children.

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8
Q

Good and Evil - Paragraph 3

A

Point: the boys are now presented as completely evil
‘the darkness of man’s heart’ - showing that this evil is universal across humans and that without laws we would all lose our civility further showing that this story is an allegory.
‘a solid mass of menace’ - showing that their own bodies are now evil therefore the fact that they have completely transitioned to their primitive ways.
‘anonymous devils’ faces’ - they are no longer human but now just anonymous faces that are owned by the epitome of evil, the devil. Shows that evil has beaten good as Simon, a Christ-like figure has died and the devil-like hunters have prevailed, who are a symbol of evil.
‘Roger sharpened the stick at both ends’ - this shows that Roger’s only intention is to harm and there is no alternative option than being stabbed and that therefore he is now completely evil and set on killing Ralph with no mercy.

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9
Q

Savagery and violence - intro

A

To begin, the children are fascinated and attracted by violence.
Throughout the novel they gradually lose the societal conditioning and succumb to innate savagery

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10
Q

Savagery and violence - Paragraph 1

A

Point: they are conditioned by society not to engage in violence
‘whee-oh! Wacco! Bong! Doink!’ - this shows their playful view of violence where it is not actually with destructive intentions but with a child-like innocence.
‘returned as a fighter plane, with wings swept back and machine gunned Piggy’ - instantly shows that Piggy is seen as a inferior target that can be bullied, Ralph was not doing this to be mean but it shows if the intentions of their violence change Piggy will still be the target and will be in danger.
‘like a bomb’ - simile of the children and a destructive war weapon foreshadows the fact6 that they can cause serious harm to each other.
‘because of the enormity of the knife descending and cutting into flesh; because of the unbearable blood.’ - this shows that whilst they have got violent intentions they are tethered to civilisation and therefore can’t bring themselves to end a defenseless pig because of the weigh it would have on their conscience.

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11
Q

Savagery and violence - Paragraph 2

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Point : boys are tempted and lust for bloodshed
‘ ‘‘There was lashings of blood!’’ said Jack laughing and shuddering’ - this implies that whilst Jack enjoyed the killing of the pig he had been craving a part of him from society still resounds within him. However, as the novella has progressed this part of all the boys slowly disappears and makes way for unnecessary violence.
‘share one wide, ecstatic grin’ - they feel happy about killing and give in to their primitive desire for blood and meat.
‘the desire to hurt and squeeze was over-mastering’ - he is getting over powered by his desire and primitive bloodlust which is a turning point because in society we have to control desire but on the island he is encouraged to give in to temptation.

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12
Q

Savagery and violence - Paragraph 3

A

Point: boys are consumed by their primitive desire to kill and now they carry it out on each other like they are all animals.
‘desire, thick, urgent, blind’ - this shows that Jack has become blinded by his power to get whatever he wants and now that he wants others on the island dead he is fixated upon doing something that in normal society is unspeakable but on the island is enjoyed and encouraged like sport.
‘tearing of teeth and claws’ - this confirms that Jack’s group are the Beast because the boys are now described like an apex predator that can kill with ease and no conscience. The reason they are evil is because they do it not to survive but for greed. This conveys Golding’s message that man is inherently evil.
‘anonymous devils’ faces’ - they have now given into so much that they are being likened with the verbal manifestation of evil - Satan. They no longer humans they have no become complete animals.
‘Roger sharpened a stick at both ends’ - this implies two things. Firstly, that Roger’s only intention is to kill Ralph as he doesn’t even have a blunt side to play fight with on his spear. Also, that once Ralph is dead they will do what they did to the sow and stick his head on a stick in the ground and this symbolises the fact that goodness has been defeated.

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13
Q

Piggy - Intorduction

A

Piggy is weaker
Piggy is adult-like and thinks he is mentally superior
Piggy is fearful when order breaks down

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14
Q

Piggy - Paragraph 1

A

Point: weakness and inferiority
‘expression of pain and inward concentration’ - he is instantly picked on due to his physical inferiority and so his intelligence is what keeps him from being completely disregarded.
‘I’ve been wearing specs since I was 3’ - he is naturally inhibited with his sight which makes him vulnerable to others.
‘I was the only boy in our school that had asthma’ - he is also challenged when it comes to breathing and therefore gets targeted and bullied just like he did at school, this shows that children are naturally mean in Golding’s view.
‘his knees were plump, caught and scratched’ - he is overweight and therefore is an easy target for bullying. His weight is also a similarity to the pigs on the island who are killed and hunted which foreshadows his death. His name is also an early symbol of his inferiority to Jack especially who hunts the pigs and terrorizes Piggy throughout the novella.

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15
Q

Piggy - Paragraph 2

A

Point: Piggy is a parent like figure who is responsible and intelligent
‘ like a crowd of kids’ - Piggy sees himself as an adult that is above the antics of the other boys.
‘ ‘‘act proper’’ ‘ - Piggy is telling the littl’uns off like a parent does and for the most part people listen because no one has been authoritative and told the littl’uns off since they came to the island .
‘ ‘’ we ought to be more careful’’ ‘ - Piggy considers a lot more consequences than all of the other boys which shows his intelligence and parent like status to some of the islanders and himself.
‘ ‘’ Piggy’ll look after them’’ ‘ - the first time Piggy is actually needed is to take care of the Littl’uns and so it is now his purpose to do so like he has been for a while.

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16
Q

Piggy - Paragraph 3

A

Point: he is afraid and vulnerable because of the violent intentions of Jack his vulnerability poses a physical danger.
‘his passionate willingness to carry the conch against all the odds’ - his faith is in law and order but his faith is misplaced despite his intelligence because of the awful circumstances he is hanging onto a strand of hope.
‘ ‘‘I’ll show him the one thing he hasn’t got’’ ‘ - the conch is now the only thing that can save Piggy even though it is redundant and irrelevant to Jack. Piggy’s hope is borderline delusional because he has no other option.
‘ ‘‘Am I safe? I feel awful.’’ ‘ - He can’t even see and is asking for Ralph to reassure that he isn’t in danger and can’t even tell what is going on around him.
‘like pig’s after it has been killed’ - this compares Piggy to all of the helpless hunted Pigs on the island and is the ultimate form of vulnerability - prey.

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17
Q

Ralph - Introduction

A

Ralph begins as naive
Becomes more aware of the other’s evil until he is desperate for civilisation

18
Q

Ralph - Paragraph 1

A

Point: Naive and childish
‘The delight of realised ambition came over him …. ‘No grownups!’ - This shows that Ralph feels as if he has been liberated and is excited at the prospect of no consequences.
‘returned as a fighter plane’ - he is playful and has a child’s imagination that is creative and fun showing that at the start these children are just like normal children their age - innocent and playful.
‘When (my dad) gets leave he’ll come and rescue us’ - he has not comprehended the enormity of the situation and still has hope that they will be saved as soon as possible.
‘the shell was interesting and pretty and a worthy plaything’ - the polysyndeton emphasises his excitement and he doesn’t see it for its deeper democracy yet but just a fascinating toy.

19
Q

Ralph - Paragraph 2

A

Point: he becomes increasingly aware of the dire situation
‘when the meeting was over they’d work for 5 minutes and wander off’ - the others are lazy an Ralph is now aware that they aren’t putting any work in on the island and leaving it all to him and Simon. He is now aware of the unjust society he is in.
‘We can’t keep the fire going. We’ll be like animals. We’ll never be rescued.’ - Ralph recognises the fact that Jack is helping the the boys give in to their primal desires instead of help with the fire. Also, he no longer believe his dad will find them and has come to terms with the actual situation.
‘to Ralph this seemed the breaking up of sanity’ - Golding tells us that it is only Ralph that recognises the consequences of the animalistic behaviour and therefore he is now one of the most perceptive on the island with a higher understanding than others.
‘the miles of division’ - Ralph is different to the hunters because he can seethe evil brewing in the group and the desire for blood which is commanding him.
‘the world, the understandable, lawful world, was slipping away’ - he is recognising that as Jack gains more power the descent to savagery is accelerating and that the others are complicit whilst he isn’t along with Piggy and Simon - the most intelligent.

20
Q

Ralph - Paragraph 3

A

Point: he is desperate for civilisation and decency he has to have naivety to hold out hope in humanity
‘we aren’t savages’ - he is trying to convince Jack’s tribe to come to their sense. He has to be naive and have hope that they can change which create a cyclical story around Ralph.
‘You voted me for chief. Didn’t you hear the conch?’ - he asks a naive question because he knows that they no longer regard the conch or him with respect but he has to try to win them over or he will be hunted down by Jack.
‘which is better - law and rescue or hunting and breaking things?’ - as a reader we know that the first option is better but the savages prefer the latter. This presents Ralph as one of the last sane islanders with reason and who is reminiscent of civilisation and how it tethered them to sanity.
‘Ralph wept for the … darkness of man’s heart’ - Ralph has realised the fact that humans are innately evil and that he is grieving the people that the savages once were because they are now as good as dead.

21
Q

Jack - Introduction

A

dominating
violence obsessed
dictatorial

22
Q

Jack - Paragraph 1

A

Point: dominating and controlling
Piggy was ‘intimidated by this uniformed superiority’ - from the start Jack finds ways to declare himself better than others and scare others. Whether it is through insults like ‘fatty’ or if it is through his position as ‘head chorister’.
‘the boy who controlled them … cap badge was golden’ - he doesn’t lead the choristers he ‘controls them’ connoting a lack of respect from the others as they don’t do what he wants willingly but instead due to fear of his ruthlessness. Which he uses as a weapon of intimidation.
‘'’I ought to be chief’’ said Jack with simple arrogance’ - he feels entitled to be a leader since he already controls the choir and he wants to gain more power. Ralph has to satiate Jacks’s hunger for power by letting him control the hunters.
‘wearily obedient’ - like dogs whom follow their master but they don’t want to showing that he is forcing him to or there will be consequences from him. Instantly implies his fear tactics that he naturally uses and abuses.

23
Q

Jack - Paragraph 2

A

Point: violence obsessed
‘the compulsion to track down and kill was swallowing him up’ - this doesn’t specify it being animals which foreshadows the future death of Piggy and Simon. It also shows that it is his primitive urges doing this to him and therefore that he naturally is blood thirsty and that society conditioned him not be.
‘his laughter became a bloodthirsty snarling’ - everything about him is becoming based on blood shed and he can’t get it off his mind.
Jack ‘ was looking brilliantly happy ‘‘Hunting’’ he said’ - his vocabulary is diminishing to one word sentences that mirror his desires showing his distance from society and civilisation.
‘repeats ‘’ we needed meat’’ - this shows that the only necessity Jack is concerned with is meat. he is like a drug addict for meat - he will give everything up , including the signal fire, just for the meat.

24
Q

Paragraph - 3

A

Point: fear mongering dictatorship
‘imitation war-cry’ - this shows that now Jack wants to strike fear into his oppositions’s heart and that he now commands an army of blood-thirsty savages.
‘the tribe screaming now like the chief’ - they now imitate what Jack does because he is the epitome of savagery that they look up to for commandment. He no longer has to ask for them to do his bidding they do it without any instruction due to their devotion to him. He is treat like a dictator that they need to please to avoid violence towards them.
‘you got to join my tribe’ - his English is no longer correct reflecting his disconnect from civilisation. Also, he treats his tribe like an army that is at his dispense.
‘the chief snatched one of the few spears that were left and poked Sam in the ribs’ - he is now just known as ‘the chief’ - this shows that he is now an entity more than a person. Also, he tortures Sam and Eric to get information out which shows his brutal, fear driven, control tactics.

25
Simon - introduction
Simon represented as the superego part of your personality that is ethical and selfless perceptive he has innate evil but is able to suppress it through empathy
26
Simon - paragraph 1
Point: he is an outsider with choristers 'he's always throwing a faint' - this shows that he is weaker and more vulnerable than the other choristers. 'pretending to knock Simon down' - this shows the ease at which Ralph can defeat the goodness in him by knocking down Simon and valuing Jack over him. 'he's queer. He's funny' - shows that he is different from the others in terms of temperament and personality. 'candle buds' - he takes a much more intellectual approach to the plants thinking that they could be useful for but is dismissed by Jack and Ralph because of of face value they are worthless. This shows that Simon takes a different view on things then the other children.
27
Simon paragraph 2
Point: perceptive 'felt a flicker of incredulity' - this shows that Simon perceives the fact that the Beast has grown from their evil. He stands at opposite ends to Jack, who embraces his innate evil whereas Simon sees it as something to be feared and controlled. 'the picture of a human at once heroic and sick' - he recognises the fact that humans are evil at a stage when no one else does he can see the gradual shift into their natural savagery. 'maybe there is a Beast... maybe it is only us' - Simon thinks that their fear is the subconscious fear of their growing evil that they have projected as the Beast to deny the innate evil because they don't have the strength to accept that their fear isn't a tangible thing but a product of their evil. Whereas Simon does and is disregarded for it. 'Ralph only realises at the end' , ' wept for the darkness of man's heart' - Simon was killed in a frenzy where their inner evil took control and he realises that he has lost a big part of his humanity and it weighs on his conscience.
28
Simon - paragraph 3
Point: he has an inner evil but overcomes through empathy 'you knew didn't you? I'm part of you? Close, close, close!' - the evil is even in the best of us but only a small minority of people can overcome it like Simon does with his empathy and sorrow for the evil. 'his gaze was held by that ancient inescapable beauty' - - this shows the attraction of the beast even though he is repelled by it he can't refuse the temptation and it overcomes him and he faints. 'freed.. The figure from the minds indignity' - Simon instantly recognises that the Lord of the Flies is the manifestation of pure evil. Lord of the Flies is the exact translation of the Greek name for Satan - Beelzebubb. 'acts selflessly by staggering down mountain to tell the boys about the Beast despite his weakness' - Simon knows that there isn't really a tangible Beast but instead that their evil is the Beast. H e wants to tell the boys because their subconscious denial of the innate veil's existence is what allows it to flourish. Therefore, the veil has to stop this and almost possesses the boys into preventing their enlightenment because it would destroy him. Simon ends up making the ultimate sacrifice for the boys in a Christ-like fashion and he is ignored and perceived as the evil itself.
29
Fear - introduction
The fear on the island is manifested by the Beastie The fact that their fear comes from their own evil is alluded to It is affirmed that the evil they fear is themselves
30
Fear - Paragraph 1
Point: Fear of the island is manifested by the Beastie ' ''you couldn't have a Beastie a snake like thing on an island this size'' Ralph explained kindly' - this Beastie symbolises the fear of the boys on the island as it comes in their nightmares as a 'snake-like thing' which could represent the serpent from the Garden of Eden that tempts Eve into eating the forbidden fruit. 'they knew about nightmares' - fear of the island is due to the fact that they are alone without adults. Usually, if a child has a nightmare then the parents will comfort them but they have no one to comfort them which heightens the level of fear of the Beastie. 'they're batty'' , ''crackers'' - these two quotes show that whilst the older children are still relatively tethered to society they don't believe in the Beast but as their evil and savagery is what feeds it into becoming a symbol of fear throughout the island. 'snakes were not mentioned now. Not mentionable.' - implies that the Beastie is a snake like thing that is tabooed. This links to the rule of not eating the fruit in Eden but Eve doing it anyway.
31
Fear - Paragraph 2
Point: the fact that they actually fear themselves is alluded to by Golding. ' ''what would a beast eat?'' ''Pig.'' ''we eat pig'' ' - this dialogue directly yet subtly hints that they will come to the revelation that they are the Beastie. ' '' Maybe there is a Beast maybe it is only us'' ' - this is where Golding uses Simon as a mouthpiece for his view that the humans have an innate evil. This evil controls them in the same way fear does and they are the same yet they take on different forms throughout the novella. ' ''unless we get frightened of people'' ' - this is an point that Piggy (the voice of reason) makes where he is saying that there is no reason for fear to exist unless you have fear of people. 'Teeth ... claws' - this is meant to be a description of the Beast but in reality is description of them which alludes to the fact that they are the beast and that the only thing they fear is the inner evil growing inside themselves and by subconsciously fearing this it feeds their inner malevolence even further.
32
Fear - Paragraph 3
Point: it is confirmed that their fear is of themselves and that therefore the Beastie was just a figment of their imagination. 'tearing of teeth and claws' - these descriptions aren't of the Beast but the actually boys. This language has connotations to a Beast or apex predator and therefore it presents the boys as savage, animalistic, fear-driven barbarians. The reason they attack him is disguised as fear but the reader and the boys know deep down that they were controlled by pure evil under the pretence of fear. As it has been the whole novella. 'You knew didn't you? I,m part of you! Close, close, close!' - this tells the reader explicitly that the Lord of the Flies (the tangible manifestation of evil) is in every human and that deep down every person tries to disguise it whether as fear like Ralph did after the murder of Simon
33
Roger - Introduction
His evil is controlled by societal conditioning Roger slightly succumbs to his desire for causing pain Roger is a completely evil killer
34
Roger - Paragraph 1
Point - Roger's evil is controlled by societal conditioning "who kept to himself with avoidance and secrecy." - Roger's secret is that he is more evil than Jack and is a sadist who enjoys causing pain. He has to hide it at the start because it is shunned by the society they just left. 'taboo of the old life' - this is referring to the fact that Roger wants to hurt the littl'un Henry but has to control himself due to his connection to the civilisation he just left. 'Roger stooped, picked up a stone, aimed, and threw it at henry - threw it to miss' - this shows that Roger enjoys inflicting fear on others for no reason but his own pleasure. The commas throughout the sentence show that this action wasn't an impulsive decision but a calculated attack unlike Jack's violence. 'Roger's arm was conditioned by a civilisation that knew nothing of him and was in ruins' - Roger has changed so much because he was always a sadist but now is starting to embrace it rather than hide it. The civilisation in ruins is a metaphor for the liberation that Roger is beginning to enjoy without society's disapproval.
35
Roger - Paragraph 2
Point: Roger succumbs slightly to his desire to cause pain 'Roger was banging his silly wooden stick against something' - he is attacking an object for a reason that is deemed 'silly' by the others but for him it is necessary to inflict pain. 'hiss of breath' - this verb links him to a snake which, in The Garden of Eden is a form of the devil at the start of the Bible. 'Roger ran around the heap prodding with his stick whenever pig flesh appeared' - he cruelly kills the sow with the opposite of remorse, pure delight. This shows Rogers unnecessary cruel nature. 'Roger received this news as an illumination' - the news that he will be able to torture a child brings him happiness because he is a sadist that enjoys inflicting pain on others. In hell people get tortured and in this way he is linked to a demon who enjoys torturing.
36
Roger - Paragraph 3
Point: is completely liberated and can be as evil as he wants and is a murderer(the ultimate sin which makes him the ultimate evil) 'Roger, with a sense of delirious abandonment, leaned all his weight on the lever' - Mentally dehumanizing those not in his group frees Roger from the restraints of decency, an effect he feels as "a sense of delirious abandonment" when he releases the rock that kills Piggy. 'wielding a nameless authority' - he enjoys his role and is encouraged by Jack to embrace it and therefore no one can judge him for it. 'Roger sharpened a stick at both ends' - his only goal is to kill and he wants to do it brutally. 'Roger. He's a terror.' - the caesura emphasises the point that Sam n Eric are making. The whole of him is completely evil and hinged on causing fear - he has absolutely no humanity or morality left.
37
Setting - introduction
Boys are foreign to the island Weather/setting mimics violent nature of boys The savages weaponise island
38
Setting - paragraph 1
Point: boys are foreign and misplaced on the island 'within the diamond haze of the beach something dark was fumbling along' - the light and dark contrast shows the incompatibility between the boys and the island. Also, the verb 'fumbling' presents the thing as clumsy and unacclimatised to the island. 'Jack slashed at one with his knife' - it seems as if jack is at war with the island from the beginning and doesn't see it as beautiful but an obstacle between him and domination. 'the squirrel leapt on the wings of the wind and clung to another standing tree, eating downwards' - the man made fire is destructive showing the inexperience of the boys living on the island. Also, the metaphor , eating, foreshadows that Jack's desire for meat will cause the downfall of the boys.
39
Setting - paragraph 2
Point: mimics violent nature of boys 'the air was ready to explode' - the most harmless thing there is has been turned into a destructive weapon implying the volatility of the moment. Also, explode connotes to bombs which are the reason the boys are on the island an a threat of nuclear war is a very real threat for the world and it conveys Golding's higher meaning and that the island is a microcosm of the real world. 'nothing prospered but the flies' - flies are scavengers that decay objects which implies that at the moment the island is slowly leading closer to a metaphorical death (like the fire that Jack starts at the end of the novella). 'the dark sky was shattered by a blue-white scar' - whilst most weather is only has a threat of extreme danger lightning is a serious hazard. Implying that this incident of savagery will be the turning point of the boys savagery where it becomes costly and poses a real threat. 'the air was dark and terrible'
40
Setting - paragraph 3
Point: the savages weaponise the island 'the rock bounded on, thumping and smashing' - the violent onomatopoeia displays the islands natural features as violent and aggressive contrasting to before when it was paradisical. 'the fire must almost be at the fruit trees - what would they eat tomorrow?' - the island will no longer provide sustenance for the boys meaning it's only purpose is to flush out Ralph for the savage's war. 'birds were screaming, mice shrieking' - even the animals are going to die and are scared of the savages and what they have done to the island.