action
events recounted in a fictional work (only listing)
plot
way in which author sequences and paces events as to shape response and interpretation (making it more meaningful); does not have to be chronological
foreshadowing
author giving reader subtle clues or hints about events happening later
subplot
plot that receives significantly less time and attention than another one
pace
author can decide how much time and attention an event gets (ties with point: storytelling doesn’t have to be chronologically)
pacing
duration of particular episodes
discriminated occasion
author slowing down to home in on a particular moment and scene (f.e. “Later that evening”)
discriminated occasion
author slowing down to home in on a particular moment and scene (f.e. “Later that evening”)
conflicts
some sort of struggle and its resolution, may be external or internal; can be both
external conflicts
between characters and something or someone outside themselves
internal conflicts
character struggles to reconcile two competing desires, needs, duties, or two parts or aspects of himself
five parts of the plot
exposition, rising action, climax/turning point, falling action, conclusion or resolution
exposition
rising action
→inciting incident
climax/turning point
falling action
conclusion or resolution
different plot types
many works follow patterns derived from the two subgenres of drama - tragedy and comedy
tragic plots
trace downward movement centering on a characters fall from fortune into misfortune and isolation → often end unhappily or with death
comedic plots
tend to end happily, often with marriage/some other act of social integration and celebration