Sacrificial Arena & Utensils Flashcards

(88 cards)

1
Q

Adhiṣavaṇa-carman

A

The pressing hide. An ox-hide spread over the ground, upon which the pressing boards are placed, to catch any spilled Soma juice, which is considered highly sacred.

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2
Q

Adhiṣavaṇa-phalake

A

The two pressing boards. The wooden boards upon which the Soma stalks are placed to be pressed with the grāvan (pressing stones). The lower board (uttara-phalā) is larger than the upper one.

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3
Q

Ādhavanīya

A

A large wooden trough or vessel used for holding water to wash and invigorate (ā-pyāyayati) the Soma stalks before pressing.

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4
Q

Agni

A

Fire. The sacred fire, deified as the divine messenger. The term encompasses all the specific sacred fires

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5
Q

Agnihotra-havaṇī

A

The Agnihotra ladle. A specific long-handled ladle, often made of Vikaṅkata wood, used exclusively for pouring the daily milk offerings (Agnihotra) into the fires.

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6
Q

Āgnīdhrīya

A

The shed of the Agnīdhra priest. A specific shed, usually located to the northeast of the Sadas, which contains the Āgnīdhrīya hearth (dhiṣṇya).

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7
Q

Āhavanīya

A

The Oblation Fire. The easternmost of the three main śrauta fires. It is square in shape and represents the celestial world (svarga). It is the primary fire into which offerings to the gods (deva) are poured.

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8
Q

Ajya-sthālī

A

The butter pot. A specific vessel, usually earthen, in which the clarified butter (ājya or ghṛta) is held during the sacrifice after being purified.

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9
Q

Angāra

A

A glowing ember. A live coal from the fire, distinguished from the flame (arcis) and the ash (bhasman). Embers are sometimes used to heat offerings like the puroḍāśa.

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10
Q

Aṃsa

A

Shoulders (of the altar). The two eastern corners of the main vedi (altar), which are shaped to resemble shoulders.

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11
Q

Araṇī

A

The two fire-sticks. A pair of wooden sticks (a lower block, adharāraṇī, and an upper drill, uttarāraṇi), often made of Aśvattha wood grown from a Śamī tree, used to generate fire by friction (agnimanthana).

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12
Q

Āsandi

A

A ritual stool or throne. A special seat made of udumbara wood, upon which the yajamāna sits during certain parts of the dīkṣā (consecration), elevating him symbolically.

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13
Q

Audumbarī

A

The Udumbara post. A post made from udumbara wood, set up inside the Sadas shed, which the Udgātṛ priest touches or leans against while chanting his melodies (sāman). It is set to be the same height as the yajamāna.

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14
Q

Avasathya

A

The Domestic Fire. Another name for the Gṛhyāgni, the single sacred fire maintained in the home of a householder for domestic rites (gṛhya).

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15
Q

Barhis

A

Sacred Grass. Kúśa or Darbha grass, carefully cut (with their roots intact) and spread over the altar (vedi) to create a pure and sacred seating surface for the invited gods.

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16
Q

Bhasman

A

Sacred Ash. The ash from the sacrificial fires, which is considered highly purifying and potent. It is collected and sometimes applied to the body or used in other rituals.

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17
Q

Bhūmi-dundubhi

A

Earth-Drum. A specific ritual instrument used in the Mahāvrata ceremony. It is constructed by digging a pit, covering it with a stretched ox-hide, and striking it with a tail (vāla) to produce a deep, resonant sound, symbolizing the voice of the Earth.

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18
Q

Bila

A

Bowl, hollow, mouth. The bowl-shaped part of a sacrificial ladle (sruc) that holds the offering.

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19
Q

Caṣāla

A

The Cap of the Sacrificial Post. A ring-shaped cap, usually made of wheat dough or the wood of the yūpa itself, that is placed on the very top of the yūpa. It symbolizes the generative power and essence of the sacrifice.

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20
Q

Camasa

A

A cup or chalice. A square-bottomed wooden vessel used for offering libations and for drinking the Soma juice. There are specific camasas for each of the main priests (hotṛ-camasa, etc.).

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21
Q

Cātvāla

A

The Pit. A pit dug to the north of the Mahāvedi, from which earth for the altars is taken. It serves as a disposal area for ritual refuse and is considered a gateway to the underworld.

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22
Q

Citi

A

A layer or course of bricks. The great Agnicayana bird-altar is constructed in five layers, or citis, which are separated by layers of loose soil (purīṣa).

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23
Q

Daṇḍa

A

Handle, staff. The handle of an implement, such as a sruc or sruva. Also refers to the staff carried by the consecrated yajamāna.

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24
Q

Daśāpavitra

A

The “Ten-Fringed” Strainer. The primary filter for the Soma juice, made of white sheep’s wool, through which the pressed juice is poured to purify it. Also called the pavamāna-pavitra.

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25
Dakṣiṇāgni
The Southern Fire. The third of the main śrauta fires, located to the south. It is semi-circular in shape and serves to ward off evil influences and is associated with offerings to the ancestors (pitṛs).
26
Dhiṣṇya
Subsidiary hearths. Mounds of earth with fire placed on them, located within the Mahāvedi during the Soma sacrifice. There are specific dhiṣṇya hearths for several of the main priests.
27
Dohana-pātra
A milking pail. The vessel, often wooden, used for milking the cows whose milk will be used for the pravargya rite or as part of the caru offering.
28
Dhruvā
The "Firm" ladle. One of the three primary sruc ladles, made of Vikaṅkata wood. It holds the reserve supply of ājya (clarified butter) during the sacrifice.
29
Droṇakalaśa
The main Soma vat. A large rectangular wooden tub or trough in which the Soma juice is collected and stored after it has been pressed and filtered.
30
Dṛṣad & Upalā
Lower and Upper Grinding Stones. The two stones used to grind grain (rice or barley) to make the flour for the puroḍāśa sacrificial cakes.
31
Gārhapatya
The Householder's Fire. The westernmost of the three main śrauta fires. It is circular, represents the earth and the yajamāna, and is never allowed to go out.
32
Grāvan
Pressing Stones. Smooth, heavy stones used by the priests to crush the Soma stalks on the adhiṣavaṇa-phalake (pressing boards) to extract the juice.
33
Havirdhāna-maṇḍapa
The shed for the Soma carts. A structure within the Mahāvedi which houses the two havirdhāna carts. The Soma stalks are ceremonially brought to the pressing area on these carts.
34
Hiraṇya-śakalāḥ
Pieces of gold. Small flakes or pieces of gold that are placed at various points in the ritual arena, such as under the yūpa or in the ukhā pot, to imbue them with immortality and light.
35
Idhmā
The bundle of firewood. The main bundle of samidh (fuel sticks), typically 21 sticks of a prescribed wood, tied together with a blade of grass (idhmā-sannahana).
36
Iṣṭakā
Brick. The fundamental component of the great Agnicayana altar. Each of the 1,080+ bricks is consecrated with a specific mantra as it is put in place (upa-dhā). There are many named bricks, such as the lokampṛṇā ("space-filling").
37
Juhū
The main offering ladle. The primary sruc ladle, used by the Adhvaryu to pour most of the oblations. It is made of Palāśa wood and is identified with the yajamāna himself.
38
Kapāla
Potsherd. A specially prepared, consecrated shard of earthenware upon which the puroḍāśa cake is baked (puroḍāśa-śrapaṇa). The number of kapālas (e.g., eight for Agni, eleven for Indra) is specific to the recipient deity.
39
Kravyād
The "Flesh-Eating" Fire. The ordinary fire used for cremation (antyeṣṭi). It is ritually distinct from the yajña fires and is considered impure for sacrificial purposes.
40
Kṛṣṇājina
The black antelope skin. A highly sacred item upon which the yajamāna sits during his dīkṣā. It is also used for husking grain and other ritual actions, symbolizing the sacrifice itself.
41
Kūrma
Tortoise. A living tortoise is embedded in the foundation of the Agnicayana altar, where it symbolizes Prajāpati, the creator god, and the stable foundation of the world.
42
Mahāvedi
The Great Altar. A large, open trapezoidal area prepared to the east of the main sacrificial hall (prācīnavaṃśa) for the performance of the Soma sacrifice.
43
Mahāvīra
"Great Hero" Pot. A special, three-tiered earthen pot, which is central to the Pravargya ceremony. It is filled with ghee and heated until it glows red-hot, symbolizing the sun.
44
Mārjālīya
The "Wiping" mound. A mound of earth located south of the Sadas shed where the priests ritually clean (parimṛj) the sacrificial utensils.
45
Mekhalā
The Girdle. A belt or girdle made of muñja grass. One is tied around the yajamāna during his consecration, and another is tied around the middle of the vedi (altar).
46
Mekṣaṇa
Stirring-stick. A wooden stick used for stirring offerings like caru (rice porridge) while it is being cooked.
47
Musala & Ulūkhala
Pestle and Mortar. A heavy wooden pestle and mortar used for husking the grain for the sacrificial cakes.
48
Nābhi
The Navel (of the altar). A small, circular hollow made in the center of the uttaravedi, into which offerings can be placed. It is the symbolic center of the sacred space.
49
Paridhi
Enclosing Sticks. Three large sticks of sacred wood (usually Palāśa) placed around the āhavanīya fire on three sides to contain its power.
50
Patnīśālā
The Wife's Hut. The shed, typically part of the prācīnavaṃśa, where the yajamāna's wife (patnī) is seated and performs her specific ritual duties.
51
Pavitra
Strainer, Purifier. Most commonly, two blades of Kuśa grass of specific lengths, used by the Adhvaryu to purify the ghṛta and other liquids by dipping them into the substance.
52
Phalīkaraṇa
Husks. The chaff or husks separated from the grain during pounding. These are not discarded but are used as a specific offering to certain minor deities.
53
Piṣṭalepa
Flour-smear. A paste made of flour and water used as a ritual sealant, for example, to seal the mahāvīra pot or to caulk imperfections in other utensils.
54
Prācīnavaṃśa
"Eastward-beamed hall." The initial, main sacrificial hall where the yajamāna is consecrated (dīkṣā) and where the preliminary rites are performed.
55
Praṇītā-praṇayana
The vessel for the "led-forth" water. A specific cup or vessel containing water that is ceremonially "led forth" and placed to the north of the Āhavanīya fire.
56
Prastara
A special, tied bunch of kuśa grass held by the Adhvaryu, representing the yajamāna himself in grass-form. It is ultimately thrown into the fire as an offering.
57
Pūtabhṛt
A large wooden vessel used to receive and hold the filtered (pūta) Soma juice after it has passed through the daśāpavitra strainer.
58
Purīṣa
Loose soil, filling material. The loose earth that is used to fill the space between the five layers (citi) of the Agnicayana altar.
59
Raśanā
The Rope. The rope, typically made of muñja grass, used for tying the animal victim (paśu) to the sacrificial post (yūpa).
60
Rukma
A golden disc. A perforated disc of gold worn on a cord by the yajamāna during the Agnicayana rite. It symbolizes the sun and confers solar immortality upon the sacrificer.
61
Sabhya
The Assembly Fire. An additional sacred fire, established in some larger sacrifices, that represents the social assembly and secular power.
62
Sadas
The Sitting Hall. A shed with open sides constructed within the Mahāvedi, where the priests and the yajamāna sit and observe during the Soma pressing.
63
Samidh
Fuel-stick. An individual stick of sacred wood offered to the fire. The offering of samidhs is a basic act of worship.
64
Saṃcara
A prescribed path or passage. The designated walking path for priests between different altars and sacred zones, such as between the Sadas and the Āhavanīya fire.
65
Śanku
A peg or gnomon. A wooden peg used in the geometric construction of the altars, as described in the Śulbasūtras. It was used to cast shadows and draw lines, ensuring perfect measurements.
66
Śamyā
A wooden pin or peg of a specific length, used for various purposes such as tamping down earth or as a measuring device.
67
Śulba
Measuring Cord. The cord or rope, typically made of muñja grass, used for the geometric measurement and construction of the various vedis (altars). Its use is codified in the Śulbasūtras.
68
Sphya
A wooden "sword." A flat, sword-shaped wooden implement used by the Adhvaryu to draw ritual boundary lines on the ground, to manipulate the earth of the altar, and as a symbolic weapon against demons.
69
Sruc
A large wooden offering ladle, characterized by a deep bowl (bila) and long handle (daṇḍa). There are several types (Juhū, Upabhṛt, Dhruvā), each with a specific function and made from a specific wood.
70
Sruva
A smaller wooden dipping spoon, with a small circular bowl, used for transferring ghṛta from its container (ājyasthālī) into the larger sruc ladles.
71
Sthālī
A metal or earthenware cooking pot, used for cooking offerings like caru (rice porridge).
72
Sthūṇā
Pillar, Post. A general term for a pillar, such as the posts that hold up the roof of the Sadas or other sheds in the Yajñaśālā.
73
Svayamātṛṇṇā
The "Self-Perforated" brick. A porous stone or fossilized shell that is found and not man-made, which is placed in the center of the first layer of the Agnicayana altar as its foundational stone.
74
Tṛṇa
A single blade of grass. Used for highly specific actions, such as separating two offerings or as a pointer, where using a larger implement would be inappropriate.
75
Ukhā
The Agnicayana Fire-Pot. A large, specially constructed clay pot, kneaded with goat's hair (aja-loman) and horse dung (aśva-śakṛt) for strength. The yajamāna carries fire in this pot for a year (saṃvatsara), symbolizing a year-long gestation period before it is embedded as the foundation of the great bird-altar (agniciti).
76
Ulmuka
A firebrand. A movable piece of fire, taken from one of the main hearths and used for specific purposes like pary-agni-karaṇa (carrying fire around an object to purify it).
77
Upabhṛt
The "counter-ladle." One of the three primary sruc ladles, made of Aśvattha wood. It is held below the Juhū and is used to catch any drips, symbolizing the earth supporting the sky.
78
Upāṃśu-savana
A special, small pressing stone used for a preliminary, silent (upāṃśu) pressing of Soma before the main, loud pressing begins.
79
Uṣṇīṣa
Turban. A piece of cloth wound around the head of the consecrated yajamāna, symbolizing his elevated, royal status as a sacrificer.
80
Uttaravedi
The "High Altar." A second, highly prepared altar built in the eastern part of the Mahāvedi. It serves as the primary offering place for the Soma sacrifice and is the site upon which the great Agnicayana bird-altar is constructed.
81
Vapāśrapaṇī
The omentum-roasting forks. A forked spit, typically made of udumbara wood, used to roast the vapā (omentum) of the animal victim over the Āhavanīya fire.
82
Vedi
Altar. The primary, consecrated, raised plot of earth, often shaped like a trapezoid and narrowing towards the east. It is strewn with barhis grass and is the central stage for the ritual.
83
Vidhṛti
The two "separators." Two blades of Kuśa grass used to keep the prastara bunch separate from the rest of the barhis on the altar, maintaining a crucial ritual distinction.
84
Yajñāyudha
Sacrificial weapons/implements. A collective term for the key utensils of the sacrifice, such as the sphya, sruc, sruva, grāvan, etc.
85
Yajñopavīta
The sacred thread. A cord of three-times-three threads worn over the left shoulder and under the right arm by initiated Brahmins and the consecrated yajamāna.
86
Yajñaśālā
Sacrificial Hall. The general term for the entire complex of sheds and enclosures where the sacrifice is performed. It is a temporary, sacred space, distinct from the profane world.
87
Yūpa
Sacrificial Post. A wooden post, often octagonal, to which the animal victim is tied with a raśanā. It is anointed, ritually raised, and topped with a caṣāla. It represents the axis mundi.
88
Yūpāvata
The Pit for the Sacrificial Post. The hole that is dug to erect the yūpa. It is ritually consecrated by sprinkling with water and lining with barhis grass before the post is raised within it.