Knowledge V Flashcards
“Man should not consider his material possessions as his own, but as common to all, so as to share them without hesitation when others are in need”
Thomas Aquinas
“The strategic adversary is fascism… the fascism in us all, in our heads and in our everyday behavior, the fascism that causes us to love power, to desire the very thing that dominates and exploits us.”
Foucault
Neil Degrasse Tyson on quantum physics
The most bizarre of all branches of physics, quantum physics (sometimes
called quantum mechanics) is a collection of rules of conduct for all matter
and energy in the universe, with properties that manifest primarily on the smallest of scales (molecules,
atoms, and subatomic particles). Quantum research includes work by Albert Einstein, Werner Heisenberg, Niels Bohr, Erwin Schrödinger, and
several European scientists working in the 1920s and ’30s: It addresses
measurement, uncertainty, causality, the life of a cat (don’t ask), and, perhaps, multiple universes. Even
though people like Caltech legend Richard Feynman have written and spoken accessibly on the subject,
nonscientists are likely to find quantum theory tough sledding (even if completely intriguing). Michael
Frayn’s acclaimed play Copenhagen, set around a 1941 wartime meeting
between Bohr and Heisenberg in the
Danish city, helps humanize the issues a little
“Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”
Nietzsche
Advertising -Share the Chief Marketing Officer’s Foxhole
What’s good for your CMO is good for you. You need to understand his or her problems so that you can empathize with what has to happen to solve those problems (which is what you were hired for). CMOs want to be surrounded by people they trust who are working to make their lives easier, and he or she can be an ally when new problems arise. Life is just easier when you and the person who hired you are on the same page.
“Only the dead have seen the end of war.”
Plato
Neil Degrasse Tyson - express yourself
Neil performed with three different dance troupes in college and graduate school, which helped him develop a sense of physicality and body awareness that he continues to use on stage as a communicator.
“It is the mark of an educated mind to be able to entertain a thought without accepting it.”
Aristotle
Advertising -
- MAKE SURE IT’S NOT ACTUALLY CRAZY
If you feel like the idea is crazy and you’re the one who came up with it, chances are
the client will definitely feel like it’s crazy, too. One way to counteract this would be to prove the idea won’t be a flop. Sometimes the proof comes from research and data, but it can also come from a persuasive pitch. When Jeff and Rich talked about their pitching process for “got milk?,” they told the story of how they filmed the real reactions of people searching for milk. They turned what was an unconventional or “crazy” idea into an undiscovered nugget of truth. Suddenly the crazy idea was just an idea that no
one had thought of yet.
- BRING IT TO LIFE
Part of taking the “crazy” out of your crazy idea is taking the mystery out of the execution. Jeff and Rich talk about creating videos that aren’t designed to replicate what the commercial might be but are rather meant to illuminate the mood and tone of the concept. The goal is to convey as much of what you believe in about the idea as possible using whatever tools are available to do so. The idea you sell is rarely the idea that gets made, so you can present most anything, as long as it communicates what you love about the idea. Rich points out that music can be a massive part of selling an idea, as can clips from famous films, memes, and relatable imagery. Don’t tell the
brand how to feel. Create something that shows them how to feel. - READ THE ROOM BEFORE, DURING, AND AFTER THE PITCH
Sometimes pitches are won or lost based on nothing other than likability—aka whether the client likes you. It’s your job to be as likable as possible so that your idea has the best chance of survival. This doesn’t mean that you have to sacrifice your own authenticity in favor of contrived conversation and presentation, but it does mean that you need to be sensitive to the client’s habits and behaviors. How you dress for a meeting in Chicago might look very different from how you dress for a meeting in Los Angeles, and the more you understand the subtle culture of the company you’re pitching and
the city it calls home, the better chance you’ll have at forming a sincere relationship with the company and, ultimately, win the job.
“Lend yourself to others, but give yourself to yourself.”
Montaigne
“The world is a book and those who do not travel read only one page.”
Seneca
“If you would be a real seeker after truth, it is necessary that at least once in your life you doubt, as far as possible, all things.”
Descartes
Freedom and Capitalism
NAFTA was a disaster for mexico. 2 million farmers left their farms and went to city as crops got much cheaper. It helped to create conditions that produced drug cartels.
Freedom in war only applies to corporations freedom to exploit native lands and people. Democracy is only permissible if it doesn’t interfere with big business interest. Business is a cancer that grows uncontrollable and destroys.
“I do not know how to teach philosophy without becoming a disturber of the peace.”
Rousseau
“The measure of a man is what he does with power.”
Plato
Advertising - NIKE, “NIKE SB”
Nike has famously been with Wieden & Kennedy for most of the
brand’s lifetime, but there was a time when Jeff and Rich did some
work for the company’s skateboarding brand. Nike had to tread
lightly in the skateboarding world so that skaters didn’t feel like a
brand was overriding the rebellious nature of the sport. Nike had
to prove that it not only made high quality skate shoes but that it
deeply understood the world of skateboarding.
THE INSIGHT
Skating might be an Olympic sport now, but it wasn’t always so highly respected across athletic communities. But the fact of the matter is that skaters spend as much time practicing and
perfecting the nuances of their sport as other athletes do. So why, then, do we treat skaters different from any other athlete?
THE IDEA
What if every athlete were treated the way skateboarders are treated?
THE EXECUTION
A series of surreal commercials starred athletes, including runners, golfers, and tennis players, who were treated like delinquents for practicing their sport (as skaters often are). In one of the most
pointed 30-second commercials, tennis players on a tennis court are approached by a cop as the camera pans to a number of “No Tennis” signs posted at the
very place tennis is meant to be played. In another, a cop gives a ticket to two runners out for a jog.
“Luck is what happens when preparation meets opportunity.”
Seneca
“I opened myself to the gentle indifference of the world.”
Camus
“To write well, express yourself like the common people, but think like a wise man.”
Aristotle
“The philosophers have only interpreted the world, in various ways. The point, however, is to change it.
Marx
Martin Scorsese
Martin believes a director should know what it is like to hit your mark, interact with another actor, and get a sense of how one
walks across a room when being filmed. He has appeared in many of his own films, including Taxi Driver and The King of Comedy (1982), and he has acted in other people’s films, including Quiz Show (1994) by Robert Redford and The Muse (1999) by Albert Brooks, and he has played himself on the Larry David series Curb
Your Enthusiasm. Becoming familiar with the self-consciousness that comes from being in front of the camera will serve you well in your directorial pursuits.
Whenever possible, a director should
try acting in another director’s film, even if that means playing themselves. Learning to be directed by other people will offer you new techniques and a better understanding of how actors think
and respond.
One important role you will take on as director is orienting your actors, because you will likely be shooting out of sequence. Actors will look to you to tell them where they are in the story and where they are emotionally. One method Martin has adopted is to tell the actors to try anything, giving them the space to fail. Allow the actors to explore their instincts, especially in the rehearsal period, and then shape their performances from there.
Ultimately, you work with the performances you get. You may
want one thing and wind up with another. Sometimes you feel something is dreadfully wrong, but later—when you see it in the context of a cut—you realize it might work. There are things
Martin immediately knows won’t work but he shoots them anyway. His advice is to just shoot them because it’s part of the
process for the actors.
Martin has learned from experience that telling an actor he or she can’t do something often throws them
off. Remember, by the time you finish debating whether you’ll shoot something or not, you could’ve already shot it. Decide later on whether to use it or not.
“If money is the bond binding me to human life, binding society to me, connecting me with nature and man, is not money the bond of all bonds? Can it not dissolve and bind all ties? Is it not, therefore, also the universal agent of separation?”
Marx
The Real
The real cannot really be captured in language. That’s Leads people people to experience through religion
Brevity is the soul of wit.
Brevity is the soul of wit.