lecture 19 - cross modal processing Flashcards

(52 cards)

1
Q

Fodor 1983

A

proposed that cognition is a collection of independent information-processing modules

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2
Q

cross-modal processing

A

there is evidence that modules can change specificity, may be correlated in some tasks and can communicate with each other

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3
Q

von Melchner et al 2000

A

reported that cross-modal projection in the auditory cortex can mediate visual behaviour = when light stimuli are presented in the portion of the visual field that is “seen” only by this projection, “rewired” ferrets respond as though they perceive the stimuli to be visual rather than auditory

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4
Q

modules can be correlated

A

one example is speech processing where visual and audio information are processed together. in a noisy environment, understanding someones speech can be facilitated by reading their lip movement

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5
Q

Spence 2002

A

demonstrated that visual cues can improve speech perception by up to 15-20 dB. this facilitation is possible because visual and auditory cues are normally correlated - a particular sound will be accompanied by a specific mouth shape

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6
Q

McGurk effect

A

when an audio stimulis is B, but the visual stimulus is G, the actual perception becomes D. participants shut their eyes, they can hear B, but when they see the incongruent G lip movement, they hear D. this demonstrates that neither visual or audio takes precedence and both streams of information work together to allow a new coherent perception

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7
Q

multi-modal processing - there are multiple examples of multi-modal processing

A

cross-modal cuing, modality dominance, one sense enhancing another

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8
Q

cross-modal cuing

A

two pathways of information channels is better than one.

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9
Q

Butter et al 1989; Spence et al 2009

A

when participants are required to detect a faint visual target on the left or right fixation, if they are also given and additional auditory or tactile cue on the side of the stimuli, reaction times are faster

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10
Q

McDonald et al 2000

A

asked participants to detect a weak visual stimulus that was presented to the left or right of a fixation point. the visual target was preceded by an audio cue, either on the same side of the visual target (valid) or on the other side (invalid). 2 variables were measures (low level = perceptual detectability measured as d’ and high level = decision criterion called bias or B)

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11
Q

what did McDonald et al find

A

that d’ was significantly higher when audio was presented on the same side, but there were inconsistent effects on bias B

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12
Q

what did the results of McDonald indicate

A

the results indicated that cross-modal cuing does involve some modulation of relatively low-level sensory processing, but there was no evidence of high-level involvement in this study

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13
Q

Dominance

A

relates to which sesnse is prioritiesed when there is conflicting information. accordingly, which type of sensory dominance (visual or auditory) emerges may be dependent on the conditions with which the stimuli are presented

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14
Q

Colavita effect - Covalita 1974

A

presented suprathreshold auditory and visual targets to participants and asked them to press one button for auditory targets and another for visual targets. one some trials, both the light and sound were presented at the same time/ these trials were interleved into the sequence of unimodal target trials

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15
Q

what were the results of Covalita 1974

A

results found that most participants percieved the visual on the light-sound trials. some reported being unaware of the sound component. this demonstrates visual dominance over auditory stimuli

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16
Q

modality appropriateness hypothesis

A

certain properties of stimuli are better processed by a specific sense, leasing to a particular modality dominating

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17
Q

Posner et al 1976

A

visual modality is superior at processing spatial information

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18
Q

Shams, Kamitani and Shimojo 2002

A

auditory modality is superior for temporal information

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19
Q

biased/integrated competition hypothesis - Spence, Parise and Chen 2012

A

suggest that brain systems dedicated to the different sensory systems may compete. they suggest that given a large proportion of the brain is dedicated to visual processing, visual stimuli and the visual system should be more likely to dominate and inhibit processing in other sensory systems

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20
Q

visual dominance

A

this is when the apparent location of a sensory stimulus can be influenced by visual information. during a venreiloquists act, the mouth of the puppet does not correspond to the location of the sound source, yet observers perceive the puppets speech come from its mouth

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21
Q

Bitvinick and Cohern 1998

A

visual dominance in the rubber hand illusion. the experiementer had to stroke a rubber hand of the participant while the participant was looking at the hand. the participant felt the stroking sensation

22
Q

Shams et al 2000

A

presented a visual illusion that is induced by sound by sound. when a single flash is accompanied by two bursts of noise, you may perceive two flashes instead of one

23
Q

what did Shams study show

A

showed how visual stimulus can be altered by another modality, even when the visual stimulus is not ambiguous. this demonstrates that although vision is usually very dominant, like other modalities, it is also malleable by other senses

24
Q

one sense enhancing another - smell and colour

A

the strawberry smell of a liquid appears stronger when the liquid is coloured red (Sellner and Kautz 1990)

25
one sense enhancing another - sound and light
auditory noise presented with light tends to be perceived as louder than nouse presented alone (Odgaard 2004)
26
one sense enhancing another - light and touch
tactile discrimination thresholds are lower during visual observation (Kennett et al 2001)
27
one sense enhancing another - sound and touch
pertubing the sound made as hands are rubbed together can alter the perception of the skins texture (Jousmaki and Hari 1998; Guest et al 2002)
28
neural basis to multimodal processing - convergence zones
convergence zones in the brain have been suggested for multimodal processing. these are higher-level areas such as the superior temporal sulcus, the parietal cortex, the prefrontal cortex and the subcortical nuclei
29
neural basis to multimodal processing - subcortical nuclei
some neurons in the subcortical nuclei show superadditive responses to multimodal stimulation, where stimulation from multiple senses is greater than the sum of response from the difference senses in isolation
30
neural basis to multimodal processing - visual and auditory cortex
Some researchers have also found multimodal responses in previously considered modality-specific areas, such as the visual cortex and auditory cortex.
31
neural basis to multimodal processing - multimodal/polysensory
there is increased evidence that signals can travel laterally from one unimodal area to another, but there is also some downward travel from the higher-order multimodal/polysensory cortex (STP)
32
Bouba-Kiki effect - Ćwiek et al. 2022
cross-cultural phenomenon where 917 participants speaking 25 different languages maintain a consistently in bouba/kiki identification regardless of their native language
33
synaesthesis
multisensory phenomenon in which stimulation of one sense caused sensory experience in another. people who experience this are called synaesthetes
34
one of the most common types of synaesthesia
colour-graoheme association where words/letters/numbers have particular colours
35
Simner 2019
reported 128 different types of synaesthesia and the number of people with synaesthesia amointed to 4.4% of the population
36
lexical-gustatory
words have different tastes
37
sound-colour
sounds have different colours
38
flavour-colour
tastes have different colours
39
touch-colour
textures have different colours
40
visual-auditory
silent moving objects produce sounds
41
important features of synaesthesia - 1
the experiences are elicited by particular stimuli that would not evoke such experiences in most members of the population. triggering stimuli could be perceptual or conceptual
42
important features of synaesthesia - 2
the experiences are automatic and are exptremely difficult to suppress
43
important features of synaesthesia - 3
the nature of the synaesthetic itself is a conscious perceptual event
44
important features of synaesthesia - 4
the synaesthetic experience is still consistent over time, although this is still debated
45
bottom-up factors - Witthoft and Winawer 2006
showed that for some grapheme-colour synesthetes altering the fonts and cases of latters can affect the saturation of stanesthetic colours. in their study, the colour category of the synaesthetic colours were not strongly affected by these manipulations, only the saturation
46
bottom-up factors - Dixon et al 2006
found that the colour of the ambiguous grapheme was determined by the context
47
Howes 2006
suggested that culture organises the senses, which descend via the physiological level of the brain. they suggested that drawing up an inventory of the range of cultural practices and technologies can help us understand different sensory combos and types of synaesthetic across different cultures and historical periods
48
hearing smells
people in Papua-New Guinea and Trobriand Islands talk about hearing smells
49
Stevenson and Boakes 2004
claim that “Odor display taste properties but do not elicit auditory or visual sensations” may be true for western societies but there is evidence of audio-olfactory synasthesia in other cultures.
50
Howes 2003
This audio-olfactory synasthesia may have arisen because in these locations, most communication takes place face-to-face (i.e. within olfactory range of the other) and odoriferous substances (e.g. anointing the body with oil, chewing ginger) are regularly used to augment the power of a person’s presence and words
51
Calame-Griaule 1986
hearing-smell associations are also common in various African Languages, such as Dogon. those who speak Dogon, speech has material properties that despite its invisible nature are more than just sound and odour both arise from vibrations
52
Dogon also classify words by smell
good speech smells sweet, and bad or impetuous speech smells rotten. A Dogon expression states that “the mouth is too ready to speak is likened to the rectum”.