Module 3 Flashcards

(44 cards)

1
Q

Function of artwork

A

There is no correct way to interpret this, up to artist and beholder. Sometimes “art for arts sake,” sometimes to represent cultural values.

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2
Q

Palaeolithic art

A

A variant of primitive art. Old stone age art.

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3
Q

Notion of primitive

A

Living in a simple way, uncivilized.

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4
Q

Concept of cultural evolution

A

Human culture evolution can be compared to biological evolution.

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5
Q

Civilized vs. uncivilized

A

18th century European evolutionist thought conceived this idea… primitive societies.

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6
Q

Lesser art

A

Less sophisticated than paintings or sculptures, shoddy manufactoring.

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7
Q

Totemism

A

Belief system that humans have kinship with a spirit being (totem). A totem can be an animal, plant, or object that acts as an emblem for a group of people.

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8
Q

Sympathetic hunting magic

A

The magic associated with hunting for hunter-gatherer societies.

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9
Q

“Art for arts sake”

A

Does not serve a grander purpose, it was made because the artist wanted to make it.

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10
Q

Trinil (Indonesia) site

A

Home to the oldest piece of art (540,000 years ago). A mussel shell.

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11
Q

Bilzingsleben site

A

Germany, home to archaic homo sapien art.

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12
Q

Neandertals

A

First appear ~130,000 years ago. Larger brain, but shorter than us.

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13
Q

Cranial capacity (brain size)

A

Neandertals larger than ours.

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14
Q

Supraorbital ridges (brow ridges)

A

Much more defined and larger than ours.

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15
Q

Speech as symbolic behaviour

A

Being able to speak is key in developing symbolic behaviour.

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16
Q

Tonal language

A

In which words can differ depending on the tone used (like music).

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17
Q

Eagle feather and talon jewerly

A

Neandertals may have used these things to make jewelry.

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18
Q

Mineral pigments

A

Ochre. Used to paint marine shells.

19
Q

Homo sapiens sapiens

20
Q

Anatomically modern humans

A

Specimens ~100,000 - 300,000 years old are anatomically modern humans. Skeletally, they are the same as us.

21
Q

Symbolic materials

A

Interactions of materiality and processes of symbolization and conceptualization. This is needed to claim modern behaviour.

22
Q

Microliths

A

A small stone tool usually made of flint.

23
Q

Composite tools and artifacts

A

Retouched tools that combine the properties of more than one of the retouched tools.

24
Q

Jebel Qafzeh site

A

A burial site. Marine shells had some ochre stains on them and were perforated, perhaps strung up as necklaces.

25
Skhül site
Burial site. They were buried with perforated marine snail shells.
26
Blombos cave
South Africa. Engraved design is entoptic, perhaps linked to Shamanism.
27
Paleolithic personal ornaments
Beads, pendants, and similar objects used. Key in understanding symbolic behaviour, they were conveyors of social identity.
28
Minor or low art
Such as the personal ornaments. High art is painting or sculpture.
29
Primitive money
An example being marine shells. They hold special purpose, a reciprocal exchange.
30
Second-order or reflective symbolic meaning
Those who use a language recognize meaning in conventionally defined arbitrary signs.
31
Engravings as time markers
Alexander Marshak argues that engravings on Upper Paleolithic bones functioned as notations for time... a cognitive approach.
32
Chaîne opératoire approach
Helps to try and understand the lithic past.
33
Anthropomorphic figurine
Resembling or made to resemble human form.
34
Swabian region
Southwestern Germany.
35
Aurignacian ivory figurines
Animals, humans, and hybrids are represented in static, non-aggressive manners.
36
Aurignacian culture
Early modern Europeans, they show the first flowering of art in this region.
37
Crô-Magnon
Home to some of the earliest bone tools in archaeological record.
38
Lion-man figurine
Found in Hohlenstein-Stadel cave. A hybrid figurine made of ivory (Aurignacian ivory figurines).
39
Abri Castanet
France. Earliest carvings in Europe (~37,000 years ago). Representations of animals and female genitalia.
40
Dolni Vestonice
Czech Republic. May be the earliest representation of an actual person. Earliest examples of fired clay sculptures.
41
Venus figurine
No concrete idea of what the purpose was. Could be a fertility symbol, ideal beauty, porn, or self-representation of the artists.
42
Codified art
There are rules that an artist can follow to make more realistic, or whatever the purpose may be.
43
Production sequence
Relative dating system, they are arranged in serial order, which is then taken to indicate time.
44
Bird bone flute
Ancient peoples used it to draw birds close to then kill them.