Session 10 Flashcards
(34 cards)
Prose Rhythm
The ideal way a poem is read: • reading a poem as if it were prose text
• natural prose sequence of stressed and unstressed
syllables
• check dictionary; stressed syllables = autosemantics
(content words)
• unstressed syllables: form and function words (and,
but, my, etc)
• mark stressed syllables with accent
• are there enjambments? (=run on line): when a
thought begins in one line and carries onto the next
Verse Rhythm
• verse rhythm: interplay between metre and prose
rhythm, between abstract metrical pattern and natural
prose
• interplay: tension between abstract, regular matrical
norm and concrete realisation
• deviations from metrical scheme
• aesthetic appeal through disappointing expectation,
counteracts monotony
• emphasis: rhythmical focal points can mark important
meanings
• → makes poem unique
• equivalence between discourse and story: onomatopoeia
(word mimicking sound)
Interplay
tension between abstract, regular matrical
norm and concrete realisation
Deviations from metrical scheme
• aesthetic appeal through disappointing expectation,
counteracts monotony
• emphasis: rhythmical focal points can mark important
meanings
• → makes poem unique
Enjambment
when a sentences thought begins in
one line and carries onto the next (=RUN ON LINE)
Rhyme
• sameness of sound after last stressed vowel • usually, consonant that comes before differs ⚬ e.g: mine-fine, hat-bat • correspondence through sameness of sound – repetition, equivalence, correspondences • Sounds in themselves don’t mean anything! • Take historical pronunciation into consideration!
rhyming couplets
aa bb cc
alternate/crossed rhyme
abab cdcd
embracing rhyme
abba cddc OR aba cdc
intermittent rhyme
xaxa (x = doesn’t rhyme)
full (=regular) rhyme
last consonants precedint last stressed vowels differ
half rhymes/slant/imperfect/pararhymes
rhyme in which there is a close but not exactt correspondence of sounds
masculine rhyme
ends in stressed syllable
feminine rhyme
ends in unstressed syllable
alliteration
repetition of initial sounds in neighbouring words
assonance
repetition of internal vowel sounds
consonance
repetition of internal consonant sounds
metaphor
• figure of speech, figurative language
• comparison WITHOUT comparison particle (like, as)
• analogy between concepts that don‘t have anything in common
• deviation, non-conventional, transfer of meaning
• based on sensual rather than on mental experience (verbal
imagery)
anaphora
repetition at beginning of verse:
epiphora
repetition at the end of verse
chiasmus
reversal of structures in successive clauses
ellipsis
omission of syntactic elements
parralellism
repetiton of syntactic structure
poem’s metaphorical structure
• Isotopies: Which units of meaning are
repeated?
• Areas of reference: Which areas of
experience do a poem‘s metaphors
belong to?
• Structure within each individual
metaphor
• relationship/dynamic between a
poem‘s metaphors