Yeats Flashcards

1
Q

Where was Yeats born?

A

Dublin

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2
Q

What becomes a particularly important symbol for Yeats during the 1920s and 30s?

A

Gyres and spirals of all kinds - explorations of contraries and paradoxes.

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3
Q

Of what writer does Yeats imagine living in imitation of in Innisfree?

A

Thoreau

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4
Q

When was “The Lake Isle of Innisfree” written?

A

c. 1890

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5
Q

What is the sentiment of “The Lake Isle of Innisfree?

A

The speaker imagines living simply with nature in Innisfree, in Ireland. His sentiments recall Thoreau’s; ultimately, we see that this is not what the speaker is actually doing - he just imagines it. This seductive dream occasionally arrests him when he is living his life in the city.

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6
Q

Discuss “The Stolen Child.”

A

“The Stolen Child,” though an early poem presages some of Yeats’s disillusionment with society as well as his interest in Irish folklore. There are enchanting, seductive descriptions of rural Ireland accompanied by a call for a human child to come away and live with the faeries - because the human world is “more full of weeping than you can understand.

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7
Q

When was “The Stolen Child” written?

A

1886

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8
Q

What happens at the end of “The Stolen Child”?

A

The child is convinced to go and stay with the faeries.

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9
Q

Leda and the Swan: What does it mean to “Put on God’s knowledge with his power”?

A

In this poem, the Swan’s divine power stands in for history’s dominion over human experience. To Put on God’s knowledge would be to understand the motives and driving forces behind history rather than just be subject to its will.

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10
Q

Compare Yeats with Heaney.

A
  • Southern Ireland vs Norther Ireland
  • Yeats in his early career is very interested in high-brow aesthetics (stylized dandy)
  • Yeats interested in finding some kind of middle ground between English and Irish culture (hybridization)
  • Heaney more antagonistic towards English influence
  • Yeats concerned with mythology and politics; Heaney with the “dirty” and real (digging, work, land, artifacts)
  • Both interested in Irish representation/reclamation of Irish identity
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11
Q

The Second Coming: What is “Spiritus Mundi”?

A

“The Spirit of the universe” – essentially the collective unconscious; related to Yeats’ interest in the occult, in which he saw poems as a kind of summoning and poets as conduits.

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12
Q

The Second Coming: Famous line?

A

The best lack all conviction, while the worst

Are full of passionate intensity

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13
Q

The Second Coming: What is the sentiment of this poem? In what context was it written?

A

This poem imagines the 2000-year cycle of Christian history coming to its end, and muses on what might be next with monstrous anticipation.

Like Byron’s “Darkness”, it imagines a world that is ending and bleak, and ends with uncertainty towards what might be coming next.

This poem was written in the aftermath of WWI.

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14
Q

The Second Coming: What are two famous books which take their title from this poem?

A
  • Things Fall Apart by Chinua Achebe

- Slouching Towards Bethlehem by Joan Didion

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15
Q

Leda and the Swan: What is the form of this poem? Why is it significant?

A

This poem is a broken sonnet, combining Petrarchan and Shakespearean conventions with caesura and disorder. This creates a jarring effect suitable to the violence of the poem and the destruction left in the swan’s wake.

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16
Q

Discuss Yeats’ view of history.

A

The Swan and the “beast’ slouching towards Bethlehem are divine/natural forces that stand in for History. Their identities are known (Jesus/Zeus), but not named – Yeats is interested in the human experience of the assualt of the human by the divine (history).

17
Q

Why does the gyre/circles appear so frequently in Yeats’ work?

A

Yeats believed that all of history/the world could be described in terms of cycles and patterns. It was basically the center of his entire philosophical world view.

“The soul (or the civilization, the age, and so on) would move from the smallest point of the spiral to the largest before moving along to the other gyre.”

The Second Coming is cyclical, not just imbued with gyre-like imagery but also suggesting that the pattern is about to repeat itself.

18
Q

What is a very bare-bones way of describing Yeats’ career trajectory?

A

Romanticism –> Occultism –> Modernism

19
Q

Sailing to Byzantium: What is the sentiment of this poem?

A

Written late in Yeats’ life, the speaker of this poem is an old man who has left his native land, which is more suited to the younger generations (we could read as modernism’s rise in the 20th century). He is a “paltry thing” now, so he is sailing to Byzantium, where he can transcend his failing, earthly body and inhabit a form of gold which will endure for eternity, singing of “what is past, or passing, or to come.”

Masterfully evocative exploration of the aging artist, in which a vibrant mind is confined within an ailing body. Also past/passing/to come –> Yeats’ interest in cyclicity/patterns.