Section 3: Chapter 4 Writing For The Ceremonial Band Flashcards
(91 cards)
1
Q
What is the instrumentation for a Full Ceremonial Band?
A
Piccolo
Clarinet I
Clarinet II
Clarinet III
Alto Saxophone I
Alto Saxophone II
Tenor Saxohpone
Trumpet I
Trumpet II
Trumpet III
Horn I
Horn II
Horn III
Trombone I
Trombone II
Trombone III
Euphonium
Sousaphone/Tuba
Snare Drum
Bass Drum
Cymbals
2
Q
What is the size and instrumentation for a minimum sized ceremonial band?
A
14
Piccolo
Clarinet I
Clarinet II
Alto Saxophone
Trumpet I
Trumpet II
Trumpet III
Trombone I
Trombone II
Euphonium
Sousaphone/Tuba
Snare Drum
Bass Drum
Cymbals
3
Q
The primary mission of a ceremonial band is to__________________.
A
The primary mission of a ceremonial band is to perform for military ceremonies, such as changes of command, retirements, funerals, and honors.
4
Q
Which instrument is not considered in the instrumentation of a ceremonial band?
A.Piccolo
B.Trumpet
C.Bassoon
D.Bass Trombone
A
B. Bassoon
5
Q
When operational or personnel factors prevent support from a full ceremonial
band, a ______________________ may be used.
A
cut-down band
6
Q
T/F: The ceremonial may use arrangements of national anthems which reflect a more modern and contemporary style.
A
False
7
Q
T/F: Voicing in thirds and sixes are acceptable voicing techniques when writing for ceremonial band.
A
True
8
Q
When beginning an arrangement, it is a good idea to start voicing with the __________ section.
A. Woodwinds
B. Brass
C. Rhythm
D. Strings
A
Brass
9
Q
If fanfare parts are written for the full brass section, what instrument/part will have the lead voice?
A
1st trumpet (or lead trumpet)
10
Q
Movement between these two notes is known as the _________ on the clarinet?
A
Break
11
Q
When writing horn parts, ensure the basic chord sound is reflected in the
_______ & ________ parts.
A
1st, 2nd
12
Q
It is common to double the bass trombone with _________.
A. 3rd Trombone
B. 1st Clarinet
C. Sousaphone
D. Both A and C
A
D. Both A and C
13
Q
The note below can be found in what range of the clarinet?
A
Chalumeau
14
Q
If a trill is written in a woodwind part, expect it to be played ____________.
A
Aggressively
15
Q
T/F: Using the euphonium for countermelodies is a great option when arranging for ceremonial band.
A
True
16
Q
T/F: Large disjunct motions, greater than a 5th, is an effective way to write for tuba.
A
False
17
Q
What interval positions should 2nd and 3rd trumpet or other second and third parts be written in?
A
Closed
18
Q
The primary role of the percussion section is to maintain _____________.
A
Rhythmic pulse
19
Q
T/F: Snare and bass drum parts may be written on the same sheet of music.
A
True
20
Q
Cymbals should perform accents and special cues provided by the conductor with the _____________.
A
Bass Drum
21
Q
What section commonly performs sweeping lines, countermelodies, andobbligato parts?
A
Woodwind Section
22
Q
T/F: It is acceptable to give the lead harmonic lines to the trombone section.
A
True
23
Q
The two sections considered to be viable links between the woodwind and brass
sections are the _______________ and ______________.
A
Horns and saxophones
24
Q
When writing for a cermonial band, what should you consider?
A
- The occasion and venue.
- Intended use within the occasion.a.Will someone be marching to this?
b. Is it for the invocation or benediction?
c. Is it to bring tribute to something? Do not rearrange or embellish upon anynational anthem. Only approved Department of Defense versions shouldbe used. - To create something new from an existing work.
a. Is there a potential to arrange the piece in a different style?
b. Is there a need to simplify the existing music, due to instrumentation orpersonnel?
c. Does the original piece need to be enhanced to complement the potentialof the ensemble? This could include making it more technically complex,embellishing parts, adding transitions, or implementing key changes.
d. Copyright concerns.
25
Why should you write for brass first when writing for a ceremonial band?
To compensate for various venues to ensure the sound is amplified in large and outdoor settings
26
What is the unique aspect that trumpet brings to the ceremonial band?
bugle calls
27
How is a bugle call implemented into the trumpet section of a cermonial band piece?
If a bugle call is implemented into the arrangement, the 1st trumpet will typically carry the statement, or the whole section will play the figure in unison.
28
How is trumpet II, and III implemented into a cermonial band piece?
The 2nd and 3rd trumpet parts support the lead trumpetby filling in the remaining chord sound. It is also acceptable to voice arhythmically independent line to complement the style of the arrangement. Whenvoicing these lines, the spacing will need to be in closed position. Thirds andsixths will work exceedingly well.
In marches, the 2nd and 3rd trumpets are typically doubled in the horn parts.
29
What does a horn provide for a cermonial band?
The horn provides the velvety, dark timbre needed to complete the balanced brass choir sound. Its lush tone quality serves as a bridge between the brass and woodwind section. When applied with the woodwind section, the horn can soften the reedy characteristic of the family, especially the saxophone section.
30
What is the horn’s most common and effective function in a ceremonial band?
to serve as a moving accompaniment. This is accomplished by voicing an independent rhythmic line, using the supporting voices of the alto and tenor lines on a grand staff. The line may also be harmonized by voicing the lead voice in thirds and sixths.
31
If the 2nd and 3rd trumpet have an independent rhythmic line, the horn line must be?
If the 2nd and 3rd trumpet have an independent rhythmic line, the horn line must be identical, or complement the figure.
32
What roles do Horn I, II, and III fill?
* 1st and 2nd Horn – Voice the 1st and 2nd horn with the most important pitches.This will ensure the basic chord sound is present in the absence of the 3rdhorn. In most cases, this will include the third of the chord, so that the basicchord sound is represented.
* 3rd Horn – Voice the 3rd horn to fill the remaining chord sound.
33
What role does a trombone play in a cermonial band?
In a ceremonial band, the trombone can work independently as a soloist, or by carrying a main melody line when a brassy, pompous style is needed. It also has a rich and warm sound that will complement any section at any dynamic level. This characteristic makes it a great source for lush melodies. The trombone section’s ability to perform lines below the soprano will also enhance the overall tenor resonance of the ensemble.
34
What are the vital trombone parts needed in a cermonial band?
The trombone section consists of 1st, 2nd, and 3rd parts. 1st and 2nd parts need to work in the absence of the 3rd trombone parts. The minimum sized bands will not usually include a 3rd or bass trombone instrumentalist on their personnel roster.
35
What is the role of trombone I in cermonial band?
1st Trombone –1st trombone is often used for melody lines. This works wellwhen reinforcing the 1st trumpet line. Doubling the 1st trumpet part in thismanner will offer the line a tenor timbre, and create depth in the voicing. 1sttrombone can also be voiced to carry the lead pitch in the harmony. It some instances, doubling countermelodies with the tenor saxophone or euphonium is accepted.
36
What is the role of trombone II in a cermonial band?
•2nd Trombone – The 2nd trombone supports the 1st trombone by filling out andsustaining the basic harmony. When supporting the 1st trombone playingrhythmic harmony, the 2nd trombone will be written with identical figures. Ifincorporated while the 1st trombone is performing a solo or independent melody,voice the lead harmony voice with the 2nd trombone.
37
What is the role of trombone III in a cermonial band?
•3rd Trombone – The 3rd trombone will fill out the remaining harmony and support the 2nd trombone. The pitches written for this part will be closer to the bass, and may in fact double the bass. This will create the full rich tenor color characteristic of an accomplished trombone choir. Be advised not to voice toolow, as this can create a muddy and unclear sound. 3rd trombone parts will typically be performed by a bass trombone player. It adds strength to the whole brass section, and is capable of performing at the lowest end of the trombone, into the tessitura of the tuba. The bass trombone will maintain the rich combinations of both the bass and tenor timbres, making it a great asset to any ceremonial band.
38
What is the function of a Euphonium in a cermonial band?
The euphonium is one of the most useful instruments in a cermonial band. The euphonium has a unique timbral quality that enables its tone to be easily heard.
39
What are three ways a Euphonium can be easily employed in a cermonial band?
1. Perform countermelodies.
2. Perform melody lines and solos.
3. Harmonic support within the low brass.
40
What instrument does the euphonium blend especially well with?
Tenor Saxohpone
41
What is used on a march tuba or sousaphone?
Sousaphone
42
What is the tuba/sousaphone role in a cermonial band?
The tuba is considered a bass instrument. When voicing tuba, it will not be voice within itself.
43
Is the use of non chord tones in the tuba accepted in writing for a cermonial band?
Yes, as long as there is good voice leading, and rhythms are kept simple.
44
What do complicated rapid passages in a tuba tend to sound like?
Muddy and unclear
45
What instrument shares the same line as a tuba?
Bass Drum
46
What are suggestions when writing for wooodwinds?
* Make every effort to write in the most comfortable range of each instrument.
* Octave lines can be useful and powerful.•Soli woodwind lines are appropriate for certain occasions. This will give variety to the arrangement and provide an audible rest from the brassy sound.
* The woodwind family projects better when scored an octave above the brass. This will enhance the overall spectrum of the overtone series.
* Sweeping lines, countermelodies, and obbligato parts will add variety and excitement.
* There is nothing wrong with doubling certain brass parts. It will enhance the depth of the voicings.
47
When can a flute be used in a cermonial band?
a unit leader might choose to utilize the flute for more somber occasions, where the piccolo’s tone might be too piercing, or when certain compositions specifically call for it.
48
What type of lines does a piccolo typically play in a cermonial band?
Arrangers commonly write spirited countermelodies for this instrument.
Piccolos will double the main melody line, as well as perform sweeping passages and trills.
49
When should a piccolo line be omitted from a cermonial passage?
When arranging for ceremonial band, consider omitting the piccolo during mellow and quiet passages, as its sound will appear unsupported and thin.
50
What range in the clarinet is easier to play over a mezzo forte?
Like any other instrument, the upper tessitura of the clarinet, C5 – B5 (the clarion) and higher, is easier to play above mezzo forte. This range will create clear to bright sounds. This area will accompany melody lines with the 1st trumpet section, lead arpeggiated movement, and obbligato figures.
51
D6 and above on the clarinet will sound what?
Piercing
52
What range should an arranger use when writing for the clarinet and desiring a full dark sound?
if the arranger desires a full dark sound, it is best to voice the clarinets at the lower end of their range (F3 – E4), called the chalumeau.
53
What ranges is unadvisable to write for in the clarinet in sustaing voices?
It is not advisable to write sustaining voices between F4 – Bb 4. This area will yield thin and dull sounds.
54
What are the ranges for the clarinet?
Chalumeau E3-E4
throat tones F4-Bb-4
clarino B4-C5
55
What type of instrument is the clarinet?
The clarinet is a non-directional instrument. Therefore, it is highly unlikely its sound will carry acrosslarge open venues.
56
What is the role of Clarinet I in a cermonial band?
Similar to the 1st trumpet, the 1st clarinet is the principle part of thewoodwind family. In almost all circumstances, the soprano line or main melodywill be written for this instrumentalist.
57
Should you arrange a solo feature for the clarinet in a cermonial band?
No
58
How is the clarinet best used when writing solo lines in a cermonial band?
Reinforcing melody lines with the trumpet and leading the woodwind section.
Creating woodwind soli lines with clarinet I leading them in its clarino range.
59
What is the role of 2nd and 3rd clarinet?
The 2nd and 3rd clarinets support the section by filling out the remaining chord sound.
60
What type of voicing do you use for clarinet 2 and 3 writing?
close voicing
61
Is it acceptable to voice 2nd and 3rd clarinet independently?
Yes
62
What type of intervals are good in 2nd and 3rd clarinet writing?
3rds and 6ths
63
What instruments do the 2nd and 3rd clarinet double?
2nd and 3rd trumpet
64
What type of link does the saxophone perform in a cermonial band?
The saxophone section serves as the connecting link between the woodwind and brass sections.
65
Are saxophones capable of melodies and countermelodies?
Yes
66
When looking at four part harmony for the saxophone, what should you give alto 1?
The alto line, or double with the second trumpet
67
When looking at four part harmony for the saxophone, what should you give alto 2?
The second saxophone will usually be voiced a 3rd below the lead, or doubling the 3rd trumpet.
68
What can alto saxohpone 1 double in a cermonial band?
2nd clarinet
69
What can alto saxophone 2 double in a ceremonial band?
3rd clarinet
70
What can alto saxophone 1 and 2 double together?
1st and 2nd horns
1st and 2nd trombones
71
Where is alto saxophones voiced in conjunction with a euphonium counter melody?
underneath
72
What type of voice motions are best used with alto saxohpones?
Smooth voice motions, no greater than a 5th, and in closed position, are recommended.
73
What is a good combination voicing with the tenor saxophone?
with the euphonium
74
What does the tenor saxophone take in four part voice writing?
tenor line
75
What parts does the tenor saxphone typical double other than euphonium?
3rd parts
76
What instrument do you add to the tenor saxophone when it is playing a soli interlude section?
tuba on the bass line
77
What is the percusion section primarily consited of in a ceremonial band?
Snare, bass drum, and cymbals
78
What is the recommended snare drum manning in a marching band?
2
79
What is the snare drum effective at promoting?
crescendos, diminuendos, and accents
80
How can a snare drum be written in a ceremonial band?
The snare drum part may be written as a separate part, or may share a five-lined staff with the bass drum.
81
What are good ways of writting for snare drum rhythmically?
Rhythm patterns found in the harmonic movement will work nicely, as do performing simple variations of the unit and divided beats.
82
What percussion instruments share the same piece of music?
Snare and cymbals
83
What should the bass drum be performing in a ceremonial band?
The bass drum part should be performing the unit of beat, or a simple variation thereof. A good suggestion is to apply the rhythms written for the tuba to the bass drum.
84
How should cymbals perform in a ceremonial band?
The cymbals should complement the bass drum and the remaining ensemble tastefully.
Performing lightly on the beat with the bass drum a suitable choice.
Another option is to have the bass drum perform on the beat, while the cymbals play short percussive notes off the beat.
85
When should cymbals and a bass drum perform together?
1. Full ensemble accents.
2. On the beat accents for wind entrances off the beat.
3. Special cues given by the conductor.
86
What can a conductor offer a cymbal player?
The conductor may offer guidance, but usually, a well-trained and experienced cymbal player will be able to interpret the part based on what the ensemble is doing.
87
If a crash is needed for a cymbal player, then....
If an important special effect, such as a crash, is required, it should be written.
88
What is considered the most versitle instrument capable of performing cantabile and grandioso passages, grandioso melodies, and fanfares?
A. French Horn
B. Trombone
C. Trumpet
D. Tuba
C. Trumpet
89
What instrument provides the velvety, dark timbre need to complete the balanced brass choir sound?
A. Trombone
B. Tuba
C. Euphonium
D. French Horn
D. French Horn
90
What serves as a link between brass and woodwind sections?
A. French Horn
B. Saxophone
C. Euphonium
D. Clarinet
B. Saxophone
91
What two instruments can both perform counter melodies and melody lines and solos?
Euphonium and Saxophone
