Section 4: Chapter 5 Error Detection and Correction Flashcards

(11 cards)

1
Q

List the four steps of the DICMO process.

A
  • Detect
  • Isolate
  • Correct
  • Move on
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

List the categories of errors that can occur during an ensemble’s rehearsal.

A
  • Rhythm
  • Pitch
  • Articulation
  • Style
  • Intonation
  • Blend & Balance
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Who is primarily responsible for the detection of errors during a rehearsal?

A

Rehearsal Director/Unit Leader

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Identify one technique for correcting rhythmic errors.

A

Slowing down the tempo and increase speed until the performance is correct at the written tempo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Identify two skills necessary for effectively detecting errors.

A
  • Score study

* Critical Listening

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Detection of rhythmic error will be dependent on who and what?

A

Detection will be dependent on the unit leader’s knowledge of tempo andarticulation for each passage

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Identifying pitch errors is continent on who and what?

A

Identifying pitch mistakes is contingent upon the unit leader’s melodic and harmonic understanding of the piece.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Correct intonation relies on what?

A

Correct intonation also relies on theunit leader’s ability to effectively detect any deficiency that an individual or section may haveassociated with their instrument’s tuning.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What is just intonation?

A

In “just intonation”, tones from each instrument are properly tuned with each other within a written melodic or harmonic structure.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

How are intonation problems solved in just intonation?

A

In these cases, intonation problems are best addressed by instructing the instrumentalist to listen across the like instrument section and ensure the intervallic relationships and chordal structures are performed correctly.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What must unit leader’s reliant on when dealing with balance and blend error?

A

the unit leader’s ability to understand the proper aural image of the ensemble as a whole, and recognize any tonal discrepancies between sections.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly