Week 3

Question 0

Tracking shot and pan

Answer 0

Mobile frame

Question 1

Process shot

Answer 1

Alter image in post production

Question 2

A take is.

Answer 2

Shot, no breaks

Question 3

Transitions

Answer 3

Cut, fade, dissolve, wipe!

Question 4

Wipes can take

Answer 4

Different shapes

Question 5

Continuity editing.

Answer 5

Putting togehtor, narrative continuity
Order time space, place.
Temporal and special and logic.
Cutting and trimming and putting togethor,

Question 6

Time

Answer 6

Unfolding present, flashback cues

Question 7

Lash back

Answer 7

Harp, whole tone scale, unstAble. Change place.

Question 8

Time passing

Answer 8

Montage, discontinuity too.

Question 9

Review terms from sheet!

Answer 9

Did it?

Question 10

Establishing shot

Answer 10

General space.

Question 11

Cut in

Answer 11

Get closer, continuity

Question 12

Shot, reverse shot

Answer 12

Juxtaposed.

Question 13

Turing between different spaces

Answer 13

Same time,different place

Question 14

Continuity editing super imp. To study!

Answer 14

Got me down pat?

Question 15

Eyeliner match related to

Answer 15

Point of view and cut

Relationship, shot 1 and two

Question 16

Match on action

Answer 16

Going and then coming out of door.

Von trap mansion. Austria and Los Angeles mansion.

Question 17

Reestablosh ing shot

Answer 17

Do exist

Question 18

Sound

Diegetic stylized. Fairy tale.

Answer 18

Simultaneous, timeframe of story. Future past compared to images. Sound flashback. Voice over also non simultaneous.
Not like synchronous which is like lips matching.
Voice over, non diegetic,

Question 19

Process shot

Answer 19

Superimpose falling onto ground in model.

Note zoom in and move back, vertigo sensation.

Question 20

Sound bridge

Answer 20

Lag, match, advance

Transition between scenes. Through sounds

Question 21

Studio system

1920-1950

Answer 21

Film production impacted institutional structure

MGM, metro Goodwin Meyer, merge. Larger corp.
more control. Of exposition.
1920-1950.

Strong financial stability. Control
Make, distribute and own theaters and ticket sales. One entity.
New York bank institutions owned them.

Question 22

Studio system turned out

Answer 22

Dreams (factory)

Question 23

Studio system hierarchy

Answer 23

One part is music, many superiors.
Departments, including music.
Under contract!

Question 24

1930-50

Answer 24

Stylistic designation, "classical era", of the film system. 30 because of sound, stylistic and technological shook things up. Fewer bugs, and Big stars PhysicLly all there consolidated

Question 25

Big studios 5

Answer 25

``` MGM richt, prestigious (lion) Fox 20th century tune and stone logo Wb shield warner brothers Paramount (mountain) RKO Radio keith orpheon merger horror ``` Also Columbia : b-pictures cheap Universal : globe logo, horror Frankenstein. Exist but different entity but financial or distribution today

Question 26

MGM

Answer 26

Middle class, respectable Save for big prestige production,s glamour stars! Stable of stars Bought lowes theaters

Question 27

Warner brothers

Answer 27

Working class audience, Gritty Gangster, less sentimalized cleN

Question 28

Study p. 84 of Cooke book imp.

Answer 28

Models | Gorman principles

Question 29

Meaning of hierarchical structure in film studios for music people

Answer 29

Cannot do what you want to do, individual subsumed by house style, eg. French horns for French. Ignorance. Extreme time constraints Preference for fast reliable worker, over presitige, unusual or creative styles Collaborate with musicians Financial considerations dictate genre style etc. effective vs artful. Orchestrator composer distinct Mixing and chopping of music in editing. :(

Question 30

Considerations for writing underscore (refer to gorbamn principles.

Answer 30

See notes!

Question 31

Max Steiner

Answer 31

Solid worker studio contract employee, had power though. Shows that music low on totem pole, drama often put above. Immigrant from Vienna. East to west migration, initial arranger on Broadway Head of RKO for 6 years, 100 films! 20-35 Wb work thereafter, wrote fanfare. Over lifetime 300 film scores. Wow. Famous ones gone with the wind and case blanca Can tell written fast. Quotations used, Prolific. Hand off to orchestrator, wait for stills. To match up music.

Question 32

1993 film

Answer 32

Non diagetic ok, audience will get it. | King Kong, first complete background score. Abundant music, not just selective.

Question 33

Steiner, for gold, Newman.

Answer 33

Big red, prolific power pioneers of purpose of music, in film.

Question 34

King Kong

Answer 34

Operatic, illustrated, ROMANTIC Primitivsm, Micky mousing, jungly, Then, broafway, demonstrating versatility. ******* if story called for it Impressionism, foggy boat scene. Wozzeck sounding, brontosaurS.

Question 35

MusicL form change in thought for movie

Answer 35

Independant, now after narratives mold to narrative. Oes not stand on its own. Discontinuity factor. Underscore. Thought of as a supplement.

Question 36

Main title has to

Answer 36

Be succinct, main ideas, match genre, showy. Own expectation and functions.

Question 37

Cues, musical decisions to be made in production process

Answer 37

``` Where music is placed, Spotting session used *** The start, discontinuity considerate, transitions. "Stinger" loud musical event. Connections form across film, unity, ```

Question 38

When does music start

Answer 38

Island gets music, why. Fog impressionist Symbol of fantasy, mood setting scared, new place. Structure, mood, symbolic, function of music Think about stock convention and ambiguous meanings, like clarinet motive. Aboriginal music might be called. Source scoring. And underscoring In between (non) diegetic. Also called enhanced diegetic. Love scene Cut music for interruption clear musical conventions are not ironed out. Sacrifice, four note, scene.

Question 39

Motivic transformations.

Answer 39

Kong has more than one motive. Kong on prowl. And in broadway tune!