Chapter 4 ELEMENTS OF VISUAL ARTS Flashcards

1
Q

is a series of points which moves to a certain direction and also defines
the shape of an object.

A
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2
Q

always moves and so, it is sometimes called the
“moving point”

A
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3
Q

lines are often associated with energy, firmness, strength or vitality: it connotes strength, rigidity or stability.

A

Straight lines

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4
Q

ines suggest grace and are softer than
straight lines. They sweep and turn gracefully between end points. They are less
definite and predictable than straight lines.

A

Curved lines

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5
Q

lines are always associated with peace, serenity and calmness;
they lend a lazy, quiet feeling to a photograph or a painting.

A

Horizontal lines

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6
Q

are the most powerful lines in visual art.

A

Vertical lines

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7
Q

are lines of action. They have no equal in visual intensity;
they suggest dynamism and life and are often considered the most interesting. They
represent movement and animation and they can lead you into the frame of the
picture and to the center of interest

A

Diagonal lines

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8
Q

is the most appealing element of the arts because it is the most
attractive and aesthetic.

A

Color

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9
Q

This is the term used to describe colors that are created
by mixing two primary colors

A

Secondary Colors

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9
Q

Color has three attributes:

A

hue, value and intensity

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9
Q

Primary Colors

A
  • red, blue, yellow
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10
Q

These colors are created by mixing primary and secondary
colors.

A

Tertiary Colors

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11
Q

is defined as the relative lightness or darkness of a color.

A

Value

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12
Q

Adding white to a hue produces a high-value color, often called a

A

tint.

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13
Q

dding black
to a hue produces a low-value color, often called a

A

shade.

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14
Q

is the brightness or darkness of a color; it is also referred to as
saturation.

A

Intensity

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15
Q

the color of cowardice and deceit.

A

Yellow.

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16
Q

beginner; an inexperienced person

A

Green-horn

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17
Q

jealousy

A

green-eyed monster:

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17
Q

full of desire for someone else’s possessions or
advantages

A

Green with envy:

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17
Q

It is the easiest color on the eye and can improve
vision.

18
Q

color It symbolizes peace and calmness.

19
Q

being sad or melancholy

A

Have the blues:

20
Q

bruised

A

Black and blue

21
music by African-Americans characterized by raw emotion and suffering
Blues:
22
he color of indigo is a deep, rich dark blue It is sometimes referred to as royal blue since during the Elizabethan times, only privileged people could wear this color.
indigo.
23
The color is closely associated with thoughts of royalty and spirituality.
Violet.
24
is purity, cleanliness, and innocence;
white
25
Some cultures view _ as the color of royalty or of deities.
white
26
a lie told to avoid the painful implications of a trut
White lie
27
a valuable possession of which its owner cannot dispose and whose cost (particularly cost of upkeep) is out of proportion to its usefulness or worth.
White elephant
28
can represent mystery, secrecy, or doom
Black
29
list of persons or things considered undesirable or deserving punishment.
Black list:
30
an address book, especially one kept by a man, with the names of women considered available for dating
Little black book
31
s an element of the visual arts which is closely related to the sense of touch.
Texture
32
is the element of art which refers to the form made when a line or lines enclose an area.
Shape
33
is the area occupied by the subject in an artwork.
Space
34
is the element of art which is directly influenced by distance.
Perspective
35
is how objects look like when lines seemingly converge in the distance. It gives the illusion of depth and distance.
Linear perspective
36
is how things appear when seen from a distance as affected by diffusion of light in the atmosphere. It makes far objects look hazier and lighter in tone while near objects appear clearer and have more intense colors.
Aerial perspective
37
chiaro which means “
light”
37
s the element of art which is directly associated with light. It deals with the darkness (shades) or lightness (tints) of a color and is key to the illusion that light gives.
Value
38
“contrast in illumination between light and dark areas”
chiaroscuro
39
and scuro,
“dark”.
40
refers to the “visual weight” of lines, forms, textures or colors. It is the power of attraction of each element, the quality which gains and holds the attention (Ariola, 2008) of the viewer.
Balance
41
is also known as formal balance or bilateral symmetry.
Symmetrical balanc
42
is a kind of balance wherein objects of unequal weights or attraction are placed at correct distances from the center.
Asymmetrical balance or informal balance
43
is a kind of balance wherein the elements are arranged from a central point or radiate from the center or swirl around in a circular or spiral path.
Radial balance
44
is the relative size of an object in relation to other objects in the design.
Proportion
45
is the principle of creating a focal point, center of attention or a point of interest in a design.
Emphasis
45
is a beat, a repetition or an organized movement with the recurrence of a line, shape or color.
Rhythm
45
is the governing principle that one achieves when a pleasing relationship exists among the various elements of the artwork.
Harmony