HIST - Impressionism, Post-Impressionism, Symbolism, Synthetism Flashcards

1
Q

a movement in French painting sometimes called “optical realism” because of its scientific interest in the actual visual experience and effect of light and movement

A

Impressionism

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2
Q

a landscape impressionist and leader of the pleinarists; adapted the practice of painting a single subject a number of times in varying lights and seasons

A

Claude Monet

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3
Q

people who believed in working outdoors

A

Pleinarists

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4
Q

painted with full brush and full strokes; placing a concentration of light on an important feature of the picture to record the impression of the eye naturally and immediately receives

A

Edouard Manet

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5
Q

worked with pastels and oil; favorite subject was ballet

A

Edgar Degas

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6
Q

artist of genre and portrait of real people; interested in the interplay of colors caused by flickerings of sunshine and shadow; tone harmonies by light refractions

A

Pierre August Renoir

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7
Q

a sculptor; interested in conveying dynamic experimental process rather than in the finished work itself

A

Rodin

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8
Q

a movement in French painting that reacted against the empirical realism of Impressionism by relying on systematic calculations and scientific theory to achieve predetermined visual effects

A

Post Impressionism

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9
Q

originated the pointillism technique (also confettiism)

A

George Pierre Seurat

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10
Q

the skillful putting side-by-side touches of pure color; the practice of applying small strokes or dots of color to a surface so that from a distance they visually blend together

A

Pointillism

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11
Q

a movement providing an intellectual alternative to the purely visual painting of the impressionists, inspiring surrealists

A

Symbolism

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12
Q

he applied paint smoothly; colors are bright in flat, unmodeled shapes; he painted tropical landscapes and brown-skinned natives

A

Paul Gaugain

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13
Q

a theory of art that posted works of art ought to blend three primary elements: the outward appearance of the subject, the artist’s emotional reaction, and artistic choices of color, form, and line

A

Synthetism

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14
Q

pre-cubism: simple handling of masses and planes given depth by structure, color, and unconventional perspective

A

Paul Cezanne

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