HIST - Opart, Post Modernism, High Tech, Contemporary Styles Flashcards

1
Q

the recognizable object is totally eliminated in favor of geometric abstraction; artists produce kinetic effects, arrangements of colors, lines and shapes, or some combinations of these elements

A

Opart

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2
Q

a movement in architecture and decorative arts in reaction to the principles and practices of modernism; encouraging the use of the elements from the historical vernacular styles and often playful illusion, decoration, and complexity

A

Post Modernism

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3
Q

published the manifesto “Complexity and Contradiction in Architecture;” “Less is a Bore”

Famous Work: Vanna Venturi House

A

Roberto Venturi

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4
Q

developed a wide-ranging eclecticism in which he abstracted historical forms and emphasized the use of color; he generates an ironic, vision of Classicism in which his buildings have become classical in their mass and order

Famous Work: Public Services Building

A

Michael Graves

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5
Q

he introduced Modern Style to New York; dubbed International Style

Famous Work: AT&T Building

A

Philip Johnson

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6
Q

a style that goals to liberate the maximum volume of space inside by positioning all its working - the stairs, lifts, escalators, etc. - outside the interior envelope of the building

A

High Tech

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7
Q

reveal their structure on the outside as well as the inside but with visual emphasis placed on the internal steel

A

Structural Expressionism (or High Tech)

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8
Q

shows an uncompromising exploration of technological innovations and forms; designs emphasize the repetition of industrialized “modular” units in which prefabricated off-site-manufactured elements are frequently employed

A

Norman Foster

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9
Q

his interest in uninterrupted interior spaces has made him an heir to the functionalist tradition; his concern with total flexibility and obvious technical imagery has been termed “Late Modern”

A

Richard Rogers

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10
Q

investigated the world of machine and the properties of timber, brick, and plywood

A

Renzo Piano

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11
Q

the first High Tech monument; a modern art gallery; the external positioning of the building’s color-coded service elements maximizes the uninterrupted floor space within

A

Centre Pompidou by Richard Rogers

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12
Q

curved structures made of glass, stainless steel, and laminated timber

A

Jean Marie Tijibaou Cultural Center by Renzo Piano

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13
Q

a movement in architecture emphasizing the aesthetic use of basic building processes, especially of cast-in-place concrete, with no apparent concern for visual amenity; derived from the French term, “beton brut” meaning “rough concrete”

A

Brutalism

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14
Q

evolved from the work of avant-garde artists and designers in Germany and other European countries; distorted shapes, fragmented lines, lack of symmetry, organic and biomorphic forms

Example: Einstein Tower by Erich Mendelsohn

A

Expressionism

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15
Q

an avant-gardist, modernist approach, but one that starts from the premises of the architectural theorists: Alexander Tzonis, and Liane Lefaivrelt

Example: Sydney Opera House by Jorn Utzon

A

Regionalism

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16
Q

emphasizes form; the architects are interested in visual relationships between the building parts and the work as a whole; shape, often on a monumental scale, is the focus of attention; lines and rigid geometric shapes predominate

Example: World Trade Center, and the Lourve Museum by I. M. Pei

A

Formalism