Child lit. Ch.2 Flashcards

(42 cards)

0
Q

Genre

A

The rules of a specific type of work that let a reader know what to expect and how to evaluate what happens.

  • if genre is switched reader may feel mislead
  • May be a mix of two but has to remain on that line of both
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1
Q

Elements of literary works

A

Genre, setting, characterization, plot, theme, stance of implied reader, P.O.V, authors style.

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2
Q

Genres of child literature

A

Folktales, realistic fiction, fantasy, poetry, historical fiction, biography, informational books
(Not all in neat divisions some can be a mixture of two)

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3
Q

Picture books

A

Are more a kind of format

Because they can be any type of genre

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4
Q

Folktales

A

Works by anonymous authors that were passed on orally from generation to generation

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5
Q

Realistic fiction

A

Fictional stories that might have happened. In realistic fiction, events are plausible, and settings are usually drawn from actual geography.

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6
Q

Fantasy

A

Works if otherworldly or supernatural elements

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7
Q

Poetry

A

Work in verse

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8
Q

Subtype of Folktales

A

Fairy tale: tales in which magic is prominent.
Legends: larger-than-life tales of famous people
Fables: stories with a moral
Epics: long rhymed works that relate a hero’s exploits
Myths: ancient stories about the gods
Pour quoi stories: lighter stories than myths that explain, often delightfully about the reasons for things

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9
Q

Subtype of realistic fiction

A

Adventure stories: works that tell of a character struggles against nature or other people.

Humorous stories: works that are funny.

Relationship stories: (or other problems): works that focus on relations between people or a character’s struggles with her own self-doubts.

Historical fiction: works with realistic characters and plots set in a historical time and place

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10
Q

Subtype of Fantasy

A

High fantasy: works that create a parallel universe alongside the real world.

Low fantasy: works in which a magical element intrudes into life in the real world, and makes possible a series of events which otherwise stay very true to life.

Science fiction: works that create a fictionalized setting or set of events based on some projection of scientific knowledge

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11
Q

Subtype of poetry

A

Narrative poems: works that tell a story in verse

Lyric or expressive poems: verses that convey observations or express feelings

Humorous poems: joke, funny riddles, or humorous stories in verse.

Novels in verse: book-length poems that tell a story

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12
Q

Setting

A

Is a time and place in which the events of a story occurred

How much a setting is described depends on the genre

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13
Q

Setting for realistic fiction

A

The immediate social group (that is, the people immediately surrounding the character)

The wider social setting (that is, the characters’ nationality, race, and social class)

The geography (including what kind of activities typically happen there, as well as what has happened there in the past and how people feel about it)

The historical period (the current decade or earlier ones.)

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14
Q

Setting for Folktales

A

In no particular time “once upon a time” for example

Don’t have a real geography have associations ex in European tales
Home is where normal life is lived and forest is where one may be tested by sinister forces.

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15
Q

Characterization

A

The art of creating people out of words on the page

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16
Q

Dimensions of characterization

A

Actions: what characters do

Relations: who the character’s “people are; how the character relates to them

Sense of themselves: how the characters describe themselves

Roles character play: some characters are heroes (protagonist), some are rivals (antagonist), others are helps, others are beneficiaries of the heroes’s actions

Authors description: what the author says about them

Author’s description:

17
Q

Round characters

A

Are characters in a story whom we really get to know, along with their past, their relationships, their motives, their inner thoughts, and changes they go through

18
Q

Flat characters

A

A character that does not go through any change or motives are not fully explained. They act in the same manner predictably. No significant change.

19
Q

Plot

A

Is a meaningful ordering of events with their consequences, a “who did what and why.” It helps move the reader though the text before reaching insight.

20
Q

What is conflict? And the 4 kinds of conflicts

A

Are struggles or obstacles a character goes through.

  1. )between characters
  2. )conflict within (internal conflict)
  3. )conflict with environment
  4. )conflict with society
21
Q

Plot structures

A

Introduction / exposition

Complication

Rising action

Climax

Falling action

Dénouement / resolution

22
Q

Exposition / introduction

A

Information necessary to understand the story

23
Q

Complication

A

Some conflict is introduced and the characters attempt to resolve it

24
Rising action
Follows complication, as the characters go through situations in which they find themselves and pursue their goal
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Climax
The point of maximum tension, and when the character resolves the conflict, and things seem to be most at stake
26
Falling action
Rapid series of events after the climax.
27
Dénouement / resolution
The problem is solved and the conflict is resolved
28
Initiation story
A type of plot in which a young character is given some challenge to get through; having successfully met the challenge, she or he is recognized as being more mature or more worthy
29
The journey
A type of plot in which the character goes off on a voyage meeting challenges along the way growing in awareness of other people, circumstances that surround them, and themselves.
30
Episodes
Patterns of episodes within larger plots
31
Theme
is an issue or a lesson that a story brings to a reader's consciousness Sometimes represented by symbols or image in a story
32
Explicit theme and implicit theme
An idea that is strongly stated
33
The implied reader
Is the ideal interpreter of a work, imagine by an the author. When they construct a work they constantly keep this reader in mind to arrange the story in a way that evokes them
34
3 ways of the reader can take the stance of the implied reader
1. ) identifying with the characters 2. ) taking a moral perspective on the story 3. ) filling the gaps to make the story "work."
35
Identifying with characters
The reader is putting themselves in the characters shoes and feeling everything they feel.
36
Moral stance
Will the readers go with the decisions made by the characters or will they disagree? Take on the morals or not. Will influence how you read the text
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P.O.V
The perspective from which the events in a story are perceived ad narrated 1st person 3rd person
38
1st person P.O.V
This perspective is intimate and has the reader feeling what the character feels but limits them to the characters perspective
39
3rd person P.OV.
2 types 3rd limited and 3rd omniscient / unlimited 3rd limited is in "he, she, etc" format but is limited to the characters P.O.V 3rd omniscient is a narrator who seems to know more than the characters
40
Style
Not what's said but how it's said
41
Images
Is the art of making the reader experience details as if through their own five senses