Restorative Art Final Flashcards

(89 cards)

1
Q

a natural non-cosmetic effect…simulating the appearance of color coming from within the skin

A

naturalism in cosmetology

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2
Q
  1. brown to brown-black pigment of the hair and skin (tan, brown, black-brown)
    The amount of this of the skin will differ from one person to another. Those who have fair skin have very little of this pigment…dark complexions have an abundant supply.
A

melanin

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3
Q

complete absence or partial absence of melanin.

A

albinism

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4
Q

yellowish pigment of the skin. Similar to that which is found in adipose tissue

A

carotene

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5
Q

red pigment…protein coloring matter of red blood

A

hemoglobin

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6
Q

red that appears purple

A

ruddy complexion

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7
Q

one that is flushed with red…not as vivid as ruddy

A

florid complexion

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8
Q

dark colored complexion (made this way by the tropical sun)

A

swarthy complexion

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9
Q

arterial fluid with active injected…results will be seen externally. Red & brown active dyes are most commonly used. Problems with this is that spotting can occur.

A

internal method of complexion coloring

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10
Q

achieved by surface application of cosmetics

A

external method of complexion coloring

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11
Q

classification of cosmetics are based on the ability to…

A

see through the substance

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12
Q

classifications of cosmetics

A
  1. transparent
  2. translucent
  3. opaque
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13
Q

review page 169 for pros and cons of

A

cream
liquid
powder

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14
Q

the four basic pigments that simulate the skin

A
  1. white
  2. yellow
  3. red
  4. brown
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15
Q

Has many uses in prep-room…contains oil and glycerine.
Comes in different colors
Can be used when applying and removing cosmetics
Can be used to prevent stain from nose purge
Helps control density of cosmetics

A

MASSAGE CREAM

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16
Q

General procedures for cosmetic application on the normal case.

A
  1. hand
  2. brush
  3. spray
  4. sponge
  5. puff/pad
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17
Q

Review brushes

A

pages 172-174

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18
Q

changes of the natural color within the skin

A

discolorations

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19
Q

3 categories of abnormal complexion variables

A
  1. pigmentary discolorations
  2. blood discoloration
  3. changes in moisture content
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20
Q

a. Yellow of jaundice
b. Bronze of Addison’s Disease
c. Cherry color of CO poisoning

ARE EXAMPLES OF…

A

pigmentary discolorations

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21
Q

a. Ecchymosis- A bruise. Purple
b. Contusion- another name for ecchymosis
c. Post mortem lividity (livor mortis)
d. Hemolysis (actually, post mortem stain)

ARE EXAMPLES OF….

A

blood discoloration

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22
Q

a. Light brown of dehydration
b. Darker brown of desiccation
c. Dark brown and black of friction, thermal, and chemical burns
d. Putty gray of embalming fluids (“formaldehyde gray” when HCHO bleaches blood…sometimes seen in bruises)

ARE EXAMPLES OF

A

Changes in moisture content

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23
Q

review warm color areas of the skin on page

A

175

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24
Q

areas which during life are naturally reddened. (7)

A

a. Cheeks
b. Chin
c. Ears
d. Mucous membranes
e. Lower parts of the nose
f. Forehead (males)
g. Hands (knuckles, fingernails, cuticles)

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25
``` Chapter 12 (Cosmetology for African Americans) Study this chapter... ``` ``` Pay particular attention to Potential Problem Areas Nares Nose and buccal cheeks Hands Integumentary lips ``` General Cosmetic Application Procedures Hair
...
26
see glossary handout
....
27
read chapters
13 and 14
28
Color in its purest form is a property of ______. It is what is reflected and comes back into our ______.
light | eyes
29
lens refracts light to converge on the _____...nerves transmit the image.
retina
30
nerve cells in the retina...very sensitive to light and dark.
rods of the eye
31
nerve cells help to see light/color
cones of the eye
32
color blindness is more common in _____
men
33
a ray of light is the source of all ________
color
34
without light, color ____________
does not exist
35
light is broken down into color of the _______-
spectrum
36
you can often see a variety of colors in a bright beam when you look at a ___________
rainbow
37
When a beam of white light is passed through a prism, a spectrum of the entire range of pure colors visible to the naked eye is formed.
basic color principles
38
their mixtures will produce all of the other color, but they can not be reproduced from mixing with other light colors.
primary colors of light
39
three colors that can be mixed to produce any other colored light...visible spectrum
red+blue+green= white
40
two complimentary colors combined to make white light
complimentary colors of light
41
complimentary colors of light.
magenta yellow cyan
42
these are the colors obtained by emitted light...associated with television and computer displays
additive color (additive method)
43
primary additive colors
red blue green RGB
44
secondary colors | LOOK THIS UP
cyan yellow magenta
45
three scientific principles
1. dispersion 2. reflection 3. absorption
46
separation of white light into different colors ROY G BIV
``` Red Orange Yellow Green Blue Indigo Violet ```
47
return of light waves from surfaces
reflection
48
process of taking in
absorption
49
an object of color absorbs certain _______ while other rays are _______.
light rays | reflected
50
Substances that can be ground into fine powder and used for adding color to dyes and paints. Originally derived from animal, mineral, and vegetable sources.
pigments
51
examples of pigments
purple from shellfish | red dye from dried bodies of scale insects
52
look up...
pigment powder | pigment theory
53
basic tool we use when working with pigmentary colors. | It is based on the standard color theory known as the PRANG SYSTEM.
the color wheel
54
These are the colors associated with the subtraction of light Used in pigments for making paints, inks, fabrics etc.
Subtractive Color (subtractive method)
55
PRIMARY subtractive colors
red yellow blue
56
secondary subtractive colors
green purple orange
57
When subtractive primary colors are combined they produce______
black
58
there are _____ hues in the spectrum of color and they are divided into ____ categories
12 | 3
59
3 categories of the spectrum of color
primary secondary intermediate
60
The 3 Primary hues
red yellow blue
61
primary hues cannot be combined from mixing ___________
any colors together
62
secondary hues (3)
green violet (purple) orange
63
secondary hues are made by combining_______
primary colors together
64
intermediate (intermediary) hues 6
1. Yellow-green 2. Blue-green 3. Blue-violet 4. Red-violet 5. Red-orange 6. Yellow-orange
65
hues are made by combining a ________ and _________ hue
primary | secondary
66
features colors directly opposite on the color wheel.
complementary color harmony
67
color wheel can also be described by _______
temperature
68
warm colors typically make an object appear ____________and ___________
closer and larger
69
cool colors typically make an object appear __________and _________________
further and smaller (distance)
70
mono means...
one
71
chroma means...
color
72
means all shades and tints of one color
monchromatic
73
depending upon the color chosen, monochromatic can be a _______ or ________ color scheme
calm | exciting
74
color scheme is the use of 2 or more colors that are next door neighbors because they live side by side on the color wheel
analogous
75
examples of analogous....
red, red-orange orange, yellow-orange blue, blue-green/blue-violet
76
a color having a hue; as one related to a color of the visible light spectrum.
chromatic color
77
color not found in the visible light spectrum. having no hue
achromatic color
78
examples of achromatic color
``` black gray silver gold white ```
79
3 dimensions of color
hue value chroma (intensity)
80
the color we see...such as red.
hue
81
lightness or darkness of a color
value
82
maroon is a ______ value of ______ and pink is a _____ values
dark | light
83
White added to a hue creates a
tint
84
gray added to a hue creates a...
tone
85
black added to a hue creates a.....
shade
86
the brightness or intensity of the color
chroma (intensity)
87
some reds appear bright and clear while others appear ______ or ____. This refers to the degree of ______, _________, ________, or _______ of a color
muddy dull intensity strength saturation purity
88
a psychological; a visual impression remaining after the stimulus has been removed. When our eyes are exposed to a color for a prolonged period, the rods and cones become fatigued.
afterimages
89
any two hues seen together which modify each other in the direction of their complements.
Juxtaposition