Chapter 14 - Principles of Hair Design Flashcards Preview

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Flashcards in Chapter 14 - Principles of Hair Design Deck (30):
1

For a client with gold tones, a ________ haircolor would be flattering.
A. Contrasting
B. Toned
C. Warm
D. Cool

C. Warm

2

In designing for clients with large or broad shoulders, the stylist should create styles with:
A. More volume
B. Less volume
C. More length
D. Darker colors

C. More length

3

Balance is described as creating equal or appropriate proportions to provide:
A. Width
B. Symmetry
C. Structure
D. Space

B. Symmetry

4

When opposite sides of a hairstyle have different lengths or different volume and appear to have equal visual weight, it is considered to have _________ balance.
A. Horizontal
B. Diagonal
C. Symmetrical
D. Asymmetrical

D. Asymmetrical

5

A recurrent pattern of movement in a design is referred to as:
A. Rhythm
B. Harmony
C. Focus
D. Balance

A. Rhythm

6

The area of design where the eye is drawn to first before traveling to the rest of the design is called the:
A. Balance
B. Axis
C. Emphasis
D. Apex

C. Emphasis

7

To offset or round out the features of a square facial shape, the aim would be to:
A. Create the illusion of width in the forehead
B. Add volume to the sides
C. Make the face seem shorter
D. Create volume between the temples and jaw

D. Create volume between the temples and jaw

8

The ________ profile has a receding forehead and chin.
A. Concave
B. Circular
C. Straight
D. Convex

D. Convex

9

The triangular section that begins at the apex or high point of the head and ends at the four corners is called the :
A. Crown area
B. Bang area
C. Line area
D. Convex area

B. Bang area

10

Design texture can be created temporarily with the use of:
A. Heat and/or wet styling techniques
B. Cold and/or wet styling techniques
C. Heat and/or dry styling techniques
D. Cold and/or dry styling techniques

A. Heat and/or wet styling techniques

11

Which of these is not a physical characteristic taken into account when designing an artistic and suitable hairstyle?
A. Body posture
B. Features
C. Age
D. Head shape

C. Age

12

Left natural, ________ hair may not support many styling options.
A. Medium, straight
B. Coarse, straight
C. Fine, straight
D. Fine, wavy

C. Fine, straight

13

Which type of hair offers the most versatility in styling?
A. Wavy, medium hair
B. Coarse, straight hair
C. Fine straight hair
D. Fine coarse hair

A. Wavy, medium hair

14

For ease of styling, ________ hair is generally best cut short.
A. Curly, medium
B. Curly, coarse
C. Extremely curly, coarse
D. Very curly, fine

D. Very curly, fine

15

The ______ profile has a receding forehead forehead and chin.
A. Concave
B. Convex
C. Straight
D. Wavy

B. Convex

16

For a client with _________, you should direct the hair back and away from the face and temples.
A. Close-set eyes
B. A large forehead
C. A crooked nose
D. Wide-set eyes

A. Close-set eyes

17

For a client with a _________, the hair should be directed forward in the chin area.
A. Round jaw
B. Receding chin
C. Small chin
D. Large chin

B. Receding chin

18

For a client with a _________ nose, bring the hair forward at the forehead, with softness around the face.
A. Wide, flat
B. Long, narrow
C. Small
D. Prominent

D. Prominent

19

If a male client has _________, a fairly close-trimmed beard and mustache would be very thinning to the overall appearance.
A. Dark hair
B. Light hair
C. A wide face and a large jaw
D. A wide face and full cheeks

D. A wide face and full cheeks

20

To create length and height in hair design, use:
A. Vertical lines
B. Horizontal lines
C. Transitional lines
D. Single lines

A. Vertical lines

21

To create width in hair design, use:
A. Contrasting lines
B. Horizontal lines
C. Diagonal lines
D. Directional lines

B. Horizontal lines

22

Lines that may move in a clockwise or counterclockwise direction are ________ lines
A. Curved
B. Horizontal
C. Single
D. Par

A. Curved

23

The lines known as ________ lines can be straight or curved.
A. Single
B. Vertical
C. Directional
D. Parallel

D. Parallel

24

Lines with a definite forward and backward movement are _______ lines.
A. Transitional
B. Contrasting
C. Directional
D. Diagonal

C. Directional

25

The square shape face:
A. Is narrow at the temples
B. Has hollow cheeks
C. Is rounded at the jaw
D. Is narrow at the middle third of the face

D. Is narrow at the middle third of the face

26

The face shape featuring a narrow forehead, extreme width through the cheek bones, and a narrow chin:
A. Inverted-triangle
B. Diamond
C. Heart-shaped
D. Pear-shaped

B. Diamond

27

The ________ face shape features a narrow forehead, wide jaw, and wide chin line.
A. Triangular
B. Oblong
C. Round
D. Diamond

A. Triangular

28

The face shape featuring a wide forehead and narrow chin line is:
A. Triangular
B. Inverted-triangle
C. Oblong
D. Diamond

B. Inverted-triangle

29

The ________ face shape features a long, narrow face with hollow cheeks.
A. Square
B. Triangular
C. Oblong
D. Round

C. Oblong

30

Wave pattern changes can be created or changed temporarily with styling tools and permanently with:
A. Thermal styling
B. Chemicals
C. Zigzag patterns
D. Flat irons

B. Chemicals