Lecture 17 Flashcards

1
Q

what is flow?

A
  • being completely involved in an activity for its own sake
  • time flies (time dilation)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

what genre of music is similar to flow?

A

jazz

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

what does the flow state resemble?

A

mindfulness
- paying attention to the environment and direct sensory environment

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

what factors did Csikszentmihalyi propose about flow state?

A
  • has to be moderate level of challenge
  • activity stands out from daily life ones
  • good match between challenge and skill level (zone of proximal development)
  • task is freely chosen
  • task is totally absorbing (promote altered perception of passage of time)
  • clear goals
  • means/methods for reaching goals are clear
  • immediate feedback provided by experience (tracks how close to goal)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

what is the zone of proximal development and who created the concept?

A
  • Vygotsky
  • if trying to help someone get as good as possible at something then the task must be challenging and outside of comfort level
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

what is flow typically associated with?

A
  • better performances
  • heightened level of immersions and/or enjoyment/satisfaction
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

how is Yerkes-Dodson curve related to flow?

A

arousal levels vs performance quality (YD)
arousal level (challenge) vs efficacy (skill) (flow)
- more challenging tasks are associated with lower arousal to achieve optimal level of performance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

what are the 5 factors in the Bloom/Skutnick-Henley that predict the likelihood of experiencing flow?

A
  • absorption, heightened awareness, clear-mindedness
  • emotional involvement
  • sense of connection with others
  • sense of everything clicking into place
  • sense of transcendence
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

what was the point of the O’Neill study?

A

to objectively measure flow using experience sampling method (ESM)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

what were the results from the O’Neill study that tried to objectively measure flow?

A
  • high achievers from specialist and young musicians from non-specialist have more flow in musical activities
  • moderate achievers from specialist and young musicians from non-specialist have more flow during games/hobbies
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

what was interpreted about the moderate achievers?

A

being a moderate achiever at specialist school may impair ability to experience flow which may not be conducive to musical development

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

why do moderate achievers describe peers as highly competitive?

A
  • added pressure to not screw up the flow
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

what did Gloor, Oster and Fischbach use during a performance to test flow and what did it measure?

A

sociometric bridge
- movement using accelerometer
- pitch of sounds being produced
- relative position of members within group

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

what were the results of the Gloor experiment that studied about the state of flow and group dynamics?

A
  • the more in flow the jazz band are by measuring oscillations or changes in body movement energy levels - the more the audience likes their music
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

what are the advantages and disadvantages of the Gloor approach?

A

advantage: more reliable form of measurement of movement and energy

disadvantage: may actually not be measuring - exploratory study that we are expecting to see some relationships that deviate away from the basic equation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

what kinds of correlations was found in the energy between the keyboard and baritone sax?

A

negative

17
Q

was there a correlation found between the intensity of applause and the mean energy levels recorded?

A

no correlation

18
Q

the more synchronized the energy levels of individual members were, the ________ the applause

A

stronger

19
Q

what matters for high quality creative output?

A

getting in group flow with energy levels of all band members oscillating in parallel