I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey Flashcards

1
Q

“When you learn, teach,” she said frequently. “When you get, give.”

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2
Q

“We are more alike than we are unalike!”

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3
Q

If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat. It is an unnecessary insult.

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4
Q

my grandmother would get out of bed at four o’clock (she never used an alarm clock) and creak down to her knees and chant in a sleep-filled voice, “Our Father, thank you for letting me see this New Day. Thank you that you didn’t allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.”

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5
Q

Like most children, I thought if I could face the worst danger voluntarily, and triumph, I would forever have power over it.

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6
Q

He was also able to find more hours in the day than I thought

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7
Q

In Stamps the segregation was so complete that most Black children didn’t really absolutely know what whites looked like. Other than that they were different, to be dreaded, and in that dread was included the hostility of the powerless against the powerful, the poor against the rich, the worker against the worked for and the ragged against the well dressed.

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8
Q

I remember never believing that whites were really real.

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9
Q

not only was cleanliness next to Godliness, dirtiness was the inventor of misery.

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10
Q

Momma told us that the less you say to whitefolks (or even powhitetrash) the better,

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11
Q

Deuteronomy was my favorite book in the Bible. The laws were so absolute, so clearly set down, that I knew if a person truly wanted to avoid hell and brimstone, and being roasted forever in the devil’s fire, all she had to do was memorize Deuteronomy and follow its teaching, word for word. I also liked the way the word rolled off the tongue.

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12
Q

Turning off or tuning out people was my highly developed art.

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13
Q

when a person is beating you you should scream as loud as possible; maybe the whipper will become embarrassed or else some sympathetic soul might come to your rescue.

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14
Q

Laughter so easily turns to hysteria for imaginative children.

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15
Q

People in Stamps used to say that the whites in our town were so prejudiced that a Negro couldn’t buy vanilla ice cream.

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16
Q

I think that everyone thought that the Depression, like everything else, was for the whitefolks, so it had nothing to do with them.

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17
Q

the Depression, at least, did not discriminate.

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18
Q

To describe my mother would be to write about a hurricane in its perfect power. Or the climbing, falling colors of a rainbow.

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19
Q

We learned the Time Step at Louie’s. It is from this basic step that most American Black dances are born.

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20
Q

I rather you have a good mind than a cute behind.”

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21
Q

They showed me a contentment based on the belief that nothing more was coming to them, although a great deal more was due.

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22
Q

“Now Ju, be careful you don’t slip up on a not true.” (Nice people didn’t say “lie.”)

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23
Q

It followed that Mrs. Flowers would have ice on an ordinary day, when most families in our town bought ice late on Saturdays only a few times during the summer to be used in the wooden ice-cream freezers.

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24
Q

I was liked, and what a difference it made.

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25
Q

Childhood’s logic never asks to be proved (all conclusions are absolute).

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26
Q

I found that my violation lay in using the phrase “by the way.” Momma explained that “Jesus was the Way, the Truth and the Light,” and anyone who says “by the way” is really saying, “by Jesus,” or “by God,” and the Lord’s name would not be taken in vain in her house.

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27
Q

Every person I knew had a hellish horror of being “called out of his name.” It was a dangerous practice to call a Negro anything that could be loosely construed as insulting because of the centuries of their having been called niggers, jigs, dinges, blackbirds, crows, boots and spooks.

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28
Q

it was a tossup over whether I would laugh (imagine being named Hallelujah) or cry (imagine letting some white woman rename you for her convenience).

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29
Q

Southern Blacks until the present generation could be counted among America’s arch conservatives.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

30
Q

Bailey was so far away he was beyond fear.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

31
Q

interesting that the meanest life, the poorest existence, is attributed to God’s will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at a commensurate speed.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

32
Q

other churches wondered if the Holy Rollers were going to heaven after all their shouting. The suggestion was that they were having their heaven right here on earth.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

33
Q

They basked in the righteousness of the poor and the exclusiveness of the downtrodden. Let the whitefolks have their money and power and segregation and sarcasm and big houses and schools and lawns like carpets, and books, and mostly—mostly-let them have their whiteness. It was better to be meek and lowly, spat upon and abused for this little time than to spend eternity frying in the fires of hell. No one would have admitted that the Christian and charitable people were happy to think of their oppressors’ turning forever on the Devil’s spit over the flames of fire and brimstone.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

34
Q

It’s another to the body, and it looks like Louis is going down.” My race groaned. It was our people falling. It was another lynching, yet another Black man hanging on a tree. One more woman ambushed and raped. A Black boy whipped and maimed. It was hounds on the trail of a man running through slimy swamps. It was a white woman slapping her maid for being forgetful.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

35
Q

It wouldn’t do for a Black man and his family to be caught on a lonely country road on a night when Joe Louis had proved that we were the strongest people in the world.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

36
Q

I never talked about St. Louis to her, and had generally come to believe that the nightmare with its attendant guilt and fear hadn’t really happened to me. It happened to a nasty little girl, years and years before, who had no chain on me at all.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

37
Q

As children do, I thought that since she was very old she had only one thing to do, and that was to die.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

38
Q

Naturally, I believed in hants and ghosts and “thangs.” Having been raised by a super-religious Southern Negro grandmother, it would have been abnormal had I not been superstitious.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

39
Q

But to be able to operate at a top level with both adults and children was admirable.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

40
Q

Habits change or solidify under pressure,

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

41
Q

It was awful to be Negro and have no control over my life. It was brutal to be young and already trained to sit quietly and listen to charges brought against my color with no chance of defense. We should all be dead. I thought I should like to see us all dead, one on top of the other. A pyramid of flesh with the whitefolks on the bottom,

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

42
Q

The ugliness they left was palpable. An uninvited guest who wouldn’t leave.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

43
Q

It was the poem written by James Weldon Johnson. It was the music composed by J. Rosamond Johnson. It was the Negro national anthem. Out of habit we were singing it.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

44
Q

We were on top again. As always, again. We survived. The depths had been icy and dark, but now a bright sun spoke to our souls. I was no longer simply a member of the proud graduating class of 1940; I was a proud member of the wonderful, beautiful Negro race.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

45
Q

It seemed terribly unfair to have a toothache and a headache and have to bear at the same time the heavy burden of Blackness.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

46
Q

my policy is I’d rather stick my hand in a dog’s mouth than in a nigger’s.”

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

47
Q

Knowing Momma, I knew that I never knew Momma. Her African-bush secretiveness and suspiciousness had been compounded by slavery and confirmed by centuries of promises made and promises broken. We have a saying among Black Americans which describes Momma’s caution. “If you ask a Negro where he’s been, he’ll tell you where he’s going.”

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

48
Q

The partner lived, though shot twice, and although the partnership was dissolved they retained admiration for each other. He had been shot, true, but in her fairness she had warned him. And he had had the strength to give her two black eyes and then live. Admirable qualities.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

49
Q

The Japanese area became San Francisco’s Harlem in a matter of months.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

50
Q

They never hesitated to hold up their hands in response to a teacher’s question; even when they were wrong they were wrong aggressively, while I had to be certain about all my facts before I dared to call attention to myself.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

51
Q

“all knowledge is spendable currency, depending on the market.”

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

52
Q

She was stimulating instead of intimidating.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

53
Q

Where some of the other teachers went out of their way to be nice to me—to be a “liberal” with me—and others ignored me completely, Miss Kirwin never seemed to notice that I was Black and therefore different.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

54
Q

By all accounts those storytellers, born Black and male before the turn of the twentieth century, should have been ground into useless dust. Instead they used their intelligence to pry open the door of rejection and not only became wealthy but got some revenge in the bargain.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

55
Q

The needs of a society determine its ethics,

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

56
Q

Stories of law violations are weighed on a different set of scales in the Black mind than in the white.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

57
Q

At school, in a given situation, we might respond with “That’s not unusual.” But in the street, meeting the same situation, we easily said, “It be’s like that sometimes.”

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

58
Q

The dirt roads of Mexico fulfilled all my longing for the unusual.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

59
Q

It is hard to understand why my vivid imagination and tendency toward scariness didn’t provide me with gory scenes of bloody crashes on a risco de Mexico.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

60
Q

We drove into the city in a cold and private silence.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

61
Q

At fifteen life had taught me undeniably that surrender, in its place, was as honorable as resistance, especially if one had no choice.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

62
Q

I was a loose kite in a gentle wind floating with only my will for an anchor.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

63
Q

My car was an island and the junkyard a sea, and I was all alone and full of warm. The mainland was just a decision away.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

64
Q

His maturity embarrassed me.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

65
Q

The unsaid words pushed roughly against the thoughts that we had no craft to verbalize, and crowded the room to uneasiness.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

66
Q

Then nothing beats a trial but a failure. Give it everything you’ve got. I’ve told you many times, ‘Can’t do is like Don’t Care.’ Neither of them have a home.”

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

67
Q

Sitting at a side table my mind and I wove a cat’s ladder of near truths and total lies.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

68
Q

I was hired as the first Negro on the San Francisco streetcars.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

69
Q

The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

70
Q

Mother must have concluded that since I was above out-and-out lying I was also beyond deceit. She was deceived.

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

71
Q

Life had a conveyor-belt quality. It went on unpursued and unpursuing,

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey

72
Q

you don’t have to think about doing the right thing. If you’re for the right thing, then you do it without thinking.”

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I Know Why the Caged Bird Sings by Maya Angelou and Oprah Winfrey